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Contents: Volume 15, Number 2, Summer 1974   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Editorial Back

Ben Brewster and Colin MacCabe
Brecht and a Revolutionary Cinema?
Screen 1974 15: 4-6; doi:10.1093/screen/15.2.4 [PDF] [Request Permissions]  

Articles Back

Colin MacCabe
Realism and the Cinema: Notes on some Brechtian theses
Screen 1974 15: 7-27; doi:10.1093/screen/15.2.7 [PDF] [Request Permissions]  

Walter Benjamin
Left-Wing Melancholy (On Erich Kästner' new book of poems)
Screen 1974 15: 28-32; doi:10.1093/screen/15.2.28 [PDF] [Request Permissions]  

Roland Barthes
Diderot, Brecht, Eisenstein
Screen 1974 15: 33-40; doi:10.1093/screen/15.2.33 [PDF] [Request Permissions]  

Kuhle Wampe or Who Does the World Belong To?
Screen 1974 15: 41-42; doi:10.1093/screen/15.2.41 [PDF] [Request Permissions]  

Collective Presentation (1932)
Screen 1974 15: 43-44; doi:10.1093/screen/15.2.43 [PDF] [Request Permissions]  

Bertolt Brecht
A Fragment Written Around 1932
Screen 1974 15: 45; doi:10.1093/screen/15.2.45 [PDF] [Request Permissions]  

Bertolt Brecht
A Small Contribution to the Theme of Realism
Screen 1974 15: 45-48; doi:10.1093/screen/15.2.45-a [PDF] [Request Permissions]  

James Pettifer
Against the Stream – Kuhle Wampe
Screen 1974 15: 49-64; doi:10.1093/screen/15.2.49 [PDF] [Request Permissions]  

Bernard Eisenschitz
Who does the World Belong to?: The place of a film
Screen 1974 15: 65-73; doi:10.1093/screen/15.2.65 [PDF] [Request Permissions]  

Stanley Mitchell
From Shklovsky to Brecht: Some preliminary remarks towards a history of the politicisation of Russian Formalism
Screen 1974 15: 74-81; doi:10.1093/screen/15.2.74 [PDF] [Request Permissions]  

Ben Brewster
From Shklovsky to Brecht: A Reply
Screen 1974 15: 82-102; doi:10.1093/screen/15.2.82 [PDF] [Request Permissions]  

Stephen Heath
Lessons from Brecht
Screen 1974 15: 103-128; doi:10.1093/screen/15.2.103 [PDF] [Request Permissions]  

Charles Barr
‘Projecting Britain and the British Character’: Ealing Studios, Part II
Screen 1974 15: 129-163; doi:10.1093/screen/15.2.129 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.