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Contents: Volume 22, Number 4, 1981   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Editorial Back

Mark Nash
Editorial
Screen 1981 22: 5-8; doi:10.1093/screen/22.4.5 [PDF] [Request Permissions]  

Articles Back

John Caughie
Rhetoric, Pleasure and ‘Art Television’ - Dreams of Leaving
Screen 1981 22: 9-31; doi:10.1093/screen/22.4.9 [PDF] [Request Permissions]  

Charlotte Brunsdon
‘Crossroads’ Notes on Soap Opera
Screen 1981 22: 32-37; doi:10.1093/screen/22.4.32 [PDF] [Request Permissions]  

Jesus G Requena
Narrativity/Discursivity in the American Television Film
Screen 1981 22: 38-42; doi:10.1093/screen/22.4.38 [PDF] [Request Permissions]  

Patricia R Zimmerman
Independent Documentary Producers and the American Television Networks
Screen 1981 22: 43-53; doi:10.1093/screen/22.4.43 [PDF] [Request Permissions]  

Claire Johnston
‘Maeve’
Screen 1981 22: 54-71; doi:10.1093/screen/22.4.54 [PDF] [Request Permissions]  

Steve Neale
Linderidge 137
Screen 1981 22: 72-78; doi:10.1093/screen/22.4.72 [PDF] [Request Permissions]  

Sam Rohdie
A note on Italian Cinema during Fascism
Screen 1981 22: 87-90; doi:10.1093/screen/22.4.87 [PDF] [Request Permissions]  

Rosalind Cowar and D. John Ellis
Hong Kong-China 1981
Screen 1981 22: 91-100; doi:10.1093/screen/22.4.91 [PDF] [Request Permissions]  

Cumulative Index 1971–1981, Screen vols 12–22
Screen 1981 22: 101-112; doi:10.1093/screen/22.4.101 [PDF] [Request Permissions]  

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Sergei Eisenstein and Wilhelm Reich
Correspondence
Screen 1981 22: 79-86; doi:10.1093/screen/22.4.79 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.