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Contents: Volume 30, Number 3, Summer 1989   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Introduction Back

Introduction
Screen 1989 30: 2-3; doi:10.1093/screen/30.3.2 [PDF] [Request Permissions]  

Articles Back

Richard Abel
Scenes from Domestic Life in Early French Cinema
Screen 1989 30: 4-28; doi:10.1093/screen/30.3.4 [PDF] [Request Permissions]  

Ravi Vasudevan
The Melodramatic Mode and the Commercial Hindi Cinema: Notes on Film History, Narrative and Performance in the 1950s
Screen 1989 30: 29-50; doi:10.1093/screen/30.3.29 [PDF] [Request Permissions]  

Ginette Vincendeau
Melodramatic Realism: On some French Women's Films in the 1930s
Screen 1989 30: 51-65; doi:10.1093/screen/30.3.51 [PDF] [Request Permissions]  

Keith Reader
Bliss Was it in that Dawn?
Screen 1989 30: 66-68; doi:10.1093/screen/30.3.66 [PDF] [Request Permissions]  

Charlotte Brunsdon
Little Shop Girls (and Other Women) Go to the Movies
Screen 1989 30: 69-73; doi:10.1093/screen/30.3.69 [PDF] [Request Permissions]  

Susan Boyd-Bowman
Hollywood's Family Romances
Screen 1989 30: 74-76; doi:10.1093/screen/30.3.74 [PDF] [Request Permissions]  

Ginette Vincendeau
The Archeology of French Film Theory and Criticism
Screen 1989 30: 77-78; doi:10.1093/screen/30.3.77 [PDF] [Request Permissions]  

Bérénice Reynaud
Responses to Coco Fusco's ‘Fantasies of Oppositionality’
Screen 1989 30: 79-99; doi:10.1093/screen/30.3.79 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.