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Contents: Volume 36, Number 4, Winter 1995   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Ravi S. Vasudevan
Addressing the spectator of a ‘third world’ national cinema: the Bombay ‘social’ film of the 1940s and 1950s
Screen 1995 36: 305-324; doi:10.1093/screen/36.4.305 [PDF] [Request Permissions]  

Stephanie Donald
Women reading Chinese films: between orientalism and silence
Screen 1995 36: 325-340; doi:10.1093/screen/36.4.325 [PDF] [Request Permissions]  

John Fletcher
Primal scenes and the female gothic: Rebecca and Gaslight
Screen 1995 36: 341-370; doi:10.1093/screen/36.4.341 [PDF] [Request Permissions]  

Jeffrey Sconce
‘Trashing’ the academy: taste, excess, and an emerging politics of cinematic style
Screen 1995 36: 371-393; doi:10.1093/screen/36.4.371 [PDF] [Request Permissions]  

Ramona Fotiade
The untamed eye: surrealism and film theory
Screen 1995 36: 394-407; doi:10.1093/screen/36.4.394 [PDF] [Request Permissions]  

Reports and Debates Back

Alison Butler
The last/vision machine
Screen 1995 36: 408-417; doi:10.1093/screen/36.4.408 [PDF] [Request Permissions]  

Ann Gray
Console-ing Passions: 4th Annual Conference of Television, Video and Feminism, Seattle, 6–9 April 1995
Screen 1995 36: 418-421; doi:10.1093/screen/36.4.418 [PDF] [Request Permissions]  

Jane Sillars
16th International Celtic Film and Television Festival, Fort William, 3–6 April 1995
Screen 1995 36: 421-423; doi:10.1093/screen/36.4.421 [PDF] [Request Permissions]  

Michèle Fuirer
Video Positive, Liverpool, 29 April–6 May 1995
Screen 1995 36: 423-427; doi:10.1093/screen/36.4.423 [PDF] [Request Permissions]  

Cathy Fowler and Petra Küppers
17th International Festival of Women's Films, Créteil, 1995
Screen 1995 36: 427-431; doi:10.1093/screen/36.4.427 [PDF] [Request Permissions]  

Book Reviews Back

Robynn Stilwell
Theodor Adorno and Hanns Eisler, Composing for the Films; Royal S. Brown, Overtones and Undertones: Reading Film Music; George Burt, The Art of Film Music; Michel Chion, Audio-Vision: Sound on Screen
Screen 1995 36: 432-440; doi:10.1093/screen/36.4.432 [PDF] [Request Permissions]  

Erica Carter
Sandra Frieden, Richard W. McCormick, Vibeke R. Petersen, Laurie Melissa Vogelsang (eds.), Gender and German Cinema: Feminist Interventions
Screen 1995 36: 441-447; doi:10.1093/screen/36.4.441 [PDF] [Request Permissions]  

Will Straw
Andrew Goodwin, Dancing in the Distraction Factory: Music Television and Popular Culture
Screen 1995 36: 448-450; doi:10.1093/screen/36.4.448 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.