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Contents: Volume 37, Number 4, Winter 1996   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Yosefa Loshitzky
Travelling culture/travelling television
Screen 1996 37: 323-335; doi:10.1093/screen/37.4.323 [PDF] [Request Permissions]  

John Welchman
Moving images: on travelling film and video
Screen 1996 37: 336-350; doi:10.1093/screen/37.4.336 [PDF] [Request Permissions]  

Chris Holmlund
The eyes of Nelly Kaplan
Screen 1996 37: 351-367; doi:10.1093/screen/37.4.351 [PDF] [Request Permissions]  

Roland B. Tolentino
Inangbayan, the mother-nation, in Lino Brocka's Bayan Ko: Kapit Sa Patalim and Orapronobis
Screen 1996 37: 368-388; doi:10.1093/screen/37.4.368 [PDF] [Request Permissions]  

Reports and Debates Back

Jackie Stacey
The Society for Cinema Studies Conference, Dallas, 7–10 March 1996
Screen 1996 37: 389-392; doi:10.1093/screen/37.4.389 [PDF] [Request Permissions]  

Janet Thumim
Console-ing Passions Conference, Madison, 25–28 April 1996
Screen 1996 37: 392-396; doi:10.1093/screen/37.4.392 [PDF] [Request Permissions]  

Cathy Fowler and Petra Küppers
The 18th Créteil International Festival of Women's Films, 22–31 March 1996
Screen 1996 37: 396-399; doi:10.1093/screen/37.4.396 [PDF] [Request Permissions]  

Book Reviews Back

Lola Young
Jacqueline Bobo, Black Women as Cultural Readers; Marie Gillespie, Television, Ethnicity and Cultural Change
Screen 1996 37: 400-408; doi:10.1093/screen/37.4.400 [PDF] [Request Permissions]  

Sara Ahmed
Lola Young, Fear of the Dark: ‘Race’, Gender and Sexuality in the Cinema
Screen 1996 37: 409-414; doi:10.1093/screen/37.4.409 [PDF] [Request Permissions]  

Lynne Pearce
Murray Smith, Engaging Characters: Fiction, Emotion and the Cinema
Screen 1996 37: 415-418; doi:10.1093/screen/37.4.415 [PDF] [Request Permissions]  

Janine Marchessault
Patricia Zimmermann, Reel Families: a Social History of Amateur Film
Screen 1996 37: 419-423; doi:10.1093/screen/37.4.419 [PDF] [Request Permissions]  

Catherine Constable
Norman K. Denzin, Images of Postmodern Society: Social Theory and Contemporary Cinema and The Cinematic Society: the Voyeur's Gaze
Screen 1996 37: 424-427; doi:10.1093/screen/37.4.424 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.