Screen

Articles

H Rodriguez

Hong Kong popular culture as an interpretive arena: the Huang Feihong film series
Screen 1997 38: 1-24; doi:10.1093/screen/38.1.1 [Request Permissions]  

J Stringer

'Your tender smiles give me strength': paradigms of masculinity in John Woo's A Better Tomorrow and The Killer
Screen 1997 38: 25-42; doi:10.1093/screen/38.1.25 [Request Permissions]  

L Gopalan

Avenging women in Indian cinema
Screen 1997 38: 42-59; doi:10.1093/screen/38.1.42 [Request Permissions]  

R Stilwell

Symbol, narrative and the musics of Truly, Madly, Deeply
Screen 1997 38: 60-75; doi:10.1093/screen/38.1.60 [Request Permissions]  

G Kouvaros

Report. On dangerous ground: film studies in Australia
Screen 1997 38: 76-81; doi:10.1093/screen/38.1.76 [Request Permissions]  

C McArthur

Report. Screen studies conference
Screen 1997 38: 82-84; doi:10.1093/screen/38.1.82 [Request Permissions]  

R Armes

Report. The third biennale of Arab cinema
Screen 1997 38: 84-87; doi:10.1093/screen/38.1.84 [Request Permissions]  

R Silverstone

Review. Culture on the brink: ideologies of technology. Gretchen Bender and Timothy Druckrey (eds)
Screen 1997 38: 88-92; doi:10.1093/screen/38.1.88 [Request Permissions]  

D Oswell

Reviews. Out of the garden: toys and children's culture in the age of TV marketing. Stephen Kline#Moving images: understanding children's emotional responses to television. David Buckingham
Screen 1997 38: 93-98; doi:10.1093/screen/38.1.93 [Request Permissions]  

G Westwell

Reviews. Visions of the past: the challenge of film to our idea of history, Robert A Rosenstone. Revisioning history: film and the construction of a new past, Robert A Rosenstone (ed)
Screen 1997 38: 99-105; doi:10.1093/screen/38.1.99 [Request Permissions]  

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