Screen -- Table of Contents (SUMMER 1997, 38 [2])

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Contents: Volume 38, Number 2, SUMMER 1997 [Index by Author]
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Articles

B Klinger: Film history terminable and interminable: recovering the past in reception studies
Screen 1997 38: 107-128; doi:10.1093/screen/38.2.107 [Request Permissions]

S Hake: The melodramatic imagination of Detlef Sierck: final chord and its resonances
Screen 1997 38: 129-148; doi:10.1093/screen/38.2.129 [Request Permissions]

L Grieveson: Policing the cinema: traffic in souls at Ellis Island, 1913
Screen 1997 38: 149-171; doi:10.1093/screen/38.2.149 [Request Permissions]

J Pidduck: Travels with Sally Potter's Orlando: gender, narrative, movement
Screen 1997 38: 172-189; doi:10.1093/screen/38.2.172 [Request Permissions]

J Maingard: Report. Film studies in South Africa
Screen 1997 38: 190-191; doi:10.1093/screen/38.2.190 [Request Permissions]

J Olsson: Report. Remapping: another look at cinema studies in Sweden
Screen 1997 38: 191-195; doi:10.1093/screen/38.2.191 [Request Permissions]

J Peterson and J Stewart: Report. Cinema studies in the age of global media, University of Chicago, 13 April 1996
Screen 1997 38: 195-199; doi:10.1093/screen/38.2.195 [Request Permissions]

M O'Pray: Review. Pop out: queer Warhol. Jennifer Doyle, Jonathan Flatley, Esteban Munoz (eds). Bike boys, drag queens, and superstars: avant-garde, mass culture, and gay identities, in the 1960s underground cinema. Juan A Suarez
Screen 1997 38: 200-204; doi:10.1093/screen/38.2.200 [Request Permissions]

V Porter: Review. The British cinematographer. Duncan Petrie
Screen 1997 38: 205-209; doi:10.1093/screen/38.2.205 [Request Permissions]

C Degli-Esposti: Review. Contemporary Italian film making: strategies of subversion, Pirandello, Fellini, Scola and the directors of the new generation. Manuela Gieri
Screen 1997 38: 210-213; doi:10.1093/screen/38.2.210 [Request Permissions]