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Contents: Volume 38, Number 2, summer 1997   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Barbara Klinger
Film history terminable and interminable: recovering the past in reception studies
Screen 1997 38: 107-128; doi:10.1093/screen/38.2.107 [PDF] [Request Permissions]  

Sabine Hake
The melodramatic imagination of Detlef Sierck: Final Chord and its resonances
Screen 1997 38: 129-148; doi:10.1093/screen/38.2.129 [PDF] [Request Permissions]  

Lee Grieveson
Policing the cinema: Traffic in Souls at Ellis Island, 1913
Screen 1997 38: 149-171; doi:10.1093/screen/38.2.149 [PDF] [Request Permissions]  

Julianne Pidduck
Travels with Sally Potter's Orlando: gender, narrative, movement
Screen 1997 38: 172-189; doi:10.1093/screen/38.2.172 [PDF] [Request Permissions]  

Reports and Debates Back

Jacqueline Maingard
Film studies in South Africa
Screen 1997 38: 190-191; doi:10.1093/screen/38.2.190 [PDF] [Request Permissions]  

Jan Olsson
Remapping: another look studies in South Sweden
Screen 1997 38: 191-195; doi:10.1093/screen/38.2.191 [PDF] [Request Permissions]  

Jennifer Peterson and Jacqueline Stewart
Cinema Studies in the Age of Global Media University of Chicago, 13 April 1996
Screen 1997 38: 195-199; doi:10.1093/screen/38.2.195 [PDF] [Request Permissions]  

Book Reviews Back

Michael O'Pray
Jennifer Doyle, Jonathan Flatley and Esteban Muñoz, Pop Out:Queen Warhol; Juan A. Suarez, Bike Boys, Drag Queens, and Superstars:Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema
Screen 1997 38: 200-204; doi:10.1093/screen/38.2.200 [PDF] [Request Permissions]  

Vincent Porter
Duncan Petrie, The British Cinematographer
Screen 1997 38: 205-209; doi:10.1093/screen/38.2.205 [PDF] [Request Permissions]  

Cristina Degli-Esposti
Manuela Gieri, Contemporary Italian Filmmaking: Strategies of Subverson, Pirandello, Fellini, Scola and the Directors of the New Generation
Screen 1997 38: 210-213; doi:10.1093/screen/38.2.210 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.