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Contents: Volume 38, Number 3, Autumn 1997   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Jo Labanyi
Race, gender and disavowal in Spanish cinema of the early Franco period: the missionary film and the folkloric musical
Screen 1997 38: 215-227; doi:10.1093/screen/38.3.215 [PDF] [Request Permissions]  

Laura Rascaroli
Steel in the gaze: on POV and the discourse of vision in Kathryn Bigelow's cinema
Screen 1997 38: 232-241; doi:10.1093/screen/38.3.232 [PDF] [Request Permissions]  

M. K. MacMurraugh-Kavanagh
‘Drama’ into ‘news’: strategies of intervention in ‘The Wednesday Play’
Screen 1997 38: 247-259; doi:10.1093/screen/38.3.247 [PDF] [Request Permissions]  

Jacqueline Maingard
Transforming television broadcasting in a democratic South Africa
Screen 1997 38: 260-270; doi:10.1093/screen/38.3.260 [PDF] [Request Permissions]  

Reports and Debates Back

Annie Goldson
Piano recital
Screen 1997 38: 275-281; doi:10.1093/screen/38.3.275 [PDF] [Request Permissions]  

Jostein Gripsrud
Rhetorical powerplay: a note on Ien Ang's review of The Dynasty Years
Screen 1997 38: 282-286; doi:10.1093/screen/38.3.282 [PDF] [Request Permissions]  

Book Reviews Back

Julian Petley
Eric Rentschler, The Ministry of Illusion: Nazi Cinema and its Afterlife; Linda Schulte-Sasse, Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema
Screen 1997 38: 287-295; doi:10.1093/screen/38.3.287 [PDF] [Request Permissions]  

Sean Cubitt
Anne Balsamo, Technologies of the Gendered Body: Reading Cyborg Women; Claudia Springer, Electronic Eros: Bodies and Desire in the Postindustrial Age; J. P. Telotte, Replications: a Robotic History of the Science Fiction Film
Screen 1997 38: 296-301; doi:10.1093/screen/38.3.296 [PDF] [Request Permissions]  

Yosefa Loshitzky
Robert S. C. Gordon, Pasolini: Forms of Subjectivity
Screen 1997 38: 302-305; doi:10.1093/screen/38.3.302 [PDF] [Request Permissions]  

Tom Ryall
Geoffrey Nowell-Smith (ed.), The Oxford History of World Cinema
Screen 1997 38: 306-309; doi:10.1093/screen/38.3.306 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.