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Contents: Volume 39, Number 3, Autumn 1998   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Charlotte Brunsdon
Structure of anxiety: recent British television crime fiction
Screen 1998 39: 223-243; doi:10.1093/screen/39.3.223 [PDF] [Request Permissions]  

George Kouvaros
Where does it happen? The place of performance in the work of John Cassavetes
Screen 1998 39: 244-258; doi:10.1093/screen/39.3.244 [Abstract] [PDF] [Request Permissions]  

Nezih Erdogan
Narratives of resistance: national identity and ambivalence in the Turkish melodrama between 1965 and 1975
Screen 1998 39: 259-271; doi:10.1093/screen/39.3.259 [PDF] [Request Permissions]  

Maria Pramaggiore
The Celtic blue note: jazz in Neil Jordan's ‘Night in Tunisia’, Angel and The Miracle
Screen 1998 39: 272-288; doi:10.1093/screen/39.3.272 [PDF] [Request Permissions]  

Reports and Debates Back

Karin Becker
The Diana debate: Ritual
Screen 1998 39: 289-293; doi:10.1093/screen/39.3.289 [PDF] [Request Permissions]  

Joke Hermes
The Diana debate: Hollywood
Screen 1998 39: 293-295; doi:10.1093/screen/39.3.293 [PDF] [Request Permissions]  

Leslie Midkiff DeBauche
Commonwealth Fund Conference in American History. Hollywood and its Spectators: the Reception of American Films, 1895–1995, University College London, 12–14 February, 1998: I
Screen 1998 39: 296-298; doi:10.1093/screen/39.3.296 [PDF] [Request Permissions]  

Rachel Moseley and Alastair Phillips
Commonwealth Fund Conference in American History. Hollywood and its Spectators: the Reception of American Films, 1895–1995, University College London, 12–14 February, 1998: II
Screen 1998 39: 298-301; doi:10.1093/screen/39.3.298 [PDF] [Request Permissions]  

Sabine Haenni
Colonial Imaging: Early Films from the Netherlands Film Museum. The University of Chicago, 21–22 November 1997
Screen 1998 39: 302-305; doi:10.1093/screen/39.3.302 [PDF] [Request Permissions]  

Book Reviews Back

Dugald Williamson
Keith Selby and Ron Cowdery, How to Study Television
Screen 1998 39: 306-312; doi:10.1093/screen/39.3.306 [PDF] [Request Permissions]  

Alan Durant
Kenneth Thompson ed., Media and Cultural Regulation; Bob Mullan, Consuming Television: Television and its Audience
Screen 1998 39: 313-318; doi:10.1093/screen/39.3.313 [PDF] [Request Permissions]  

Hector Rodriguez
Stephen Teo, Hong Kong Cinema: the Extra Dimensions
Screen 1998 39: 319-322; doi:10.1093/screen/39.3.319 [PDF] [Request Permissions]  

Dorothée Bonnigal
Lesley Stern, The Scorsese Connection
Screen 1998 39: 323-326; doi:10.1093/screen/39.3.323 [PDF] [Request Permissions]  

Douglas Gomery
Michael R. Pitts, Poverty Row Studios, 1929–1940; Ruth Vasey, The World According to Hollywood, 1918–1939
Screen 1998 39: 327-330; doi:10.1093/screen/39.3.327 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.