Screen

Articles

C Brunsdon

Structure of anxiety: recent British television crime fiction
Screen 1998 39: 223-243; doi:10.1093/screen/39.3.223 [Request Permissions]  

G Kouvaros

Where does it happen? The place of performance in the work of John Cassavetes
Screen 1998 39: 244-258; doi:10.1093/screen/39.3.244 [Request Permissions]  

N Erdogan

Narratives of resistance: national identity and ambivalence in the Turkish melodrama between 1965 and 1975
Screen 1998 39: 259-271; doi:10.1093/screen/39.3.259 [Request Permissions]  

M Pramaggiore

The Celtic blue note: jazz in Neil Jordan's 'Night in Tunisia', Angel and The Miracle
Screen 1998 39: 272-288; doi:10.1093/screen/39.3.272 [Request Permissions]  

Anon

The Diana debate. Ritual
Screen 1998 39: 289-293; doi:10.1093/screen/39.3.289 [Request Permissions]  

Anon

The Diana debate. Hollywood
Screen 1998 39: 294-295; doi:10.1093/screen/39.3.294 [Request Permissions]  

Anon

Report. Commonwealth Fund Conference in American history. Hollywood and its spectators: the reception of American films, 1895-1995, University College London, 12-14 February, 1998
Screen 1998 39: 296-301; doi:10.1093/screen/39.3.296 [Request Permissions]  

Anon

Report. Colonial imaging: early films from the Netherlands film museum. The University of Chicago, 21-22 November 1997
Screen 1998 39: 302-305; doi:10.1093/screen/39.3.302 [Request Permissions]  

Various

Reviews
Screen 1998 39: 306-328; doi:10.1093/screen/39.3.306 [Request Permissions]  

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