Screen

Articles

K Lury and D Massey

Making connections
Screen 1999 40: 229-238; doi:10.1093/screen/40.3.229 [Abstract] [Request Permissions]  

Á O'Healy

Revisiting the belly of Naples: the body and the city in the films of Mario Martone
Screen 1999 40: 239-256; doi:10.1093/screen/40.3.239 [Request Permissions]  

A Phillips

Performing Paris: myths of the city in Robert Siodmak's emigre musical La Vie Parisienne
Screen 1999 40: 257-276; doi:10.1093/screen/40.3.257 [Request Permissions]  

K Wilson

Time, space and vision: Nicolas Roeg's Don't Look Now
Screen 1999 40: 277-294; doi:10.1093/screen/40.3.277 [Request Permissions]  

J Donald

Talking the talk, walking the walk
Screen 1999 40: 295-303; doi:10.1093/screen/40.3.295 [Request Permissions]  

M Witt

The Godard dossier. Introduction. Jean-Luc Godard: Histoire(s) du Cinéma (1988-1998)
Screen 1999 40: 304-305; doi:10.1093/screen/40.3.304 [Request Permissions]  

JS Williams

The Godard dossier. The signs amongst us: Jean-Luc Godard's Histoire(s) du Cinéma
Screen 1999 40: 306-315; doi:10.1093/screen/40.3.306 [Request Permissions]  

J Rosenbaum

The Godard dossier. Le Vrai Coupable: two kinds of criticism in Godard's work
Screen 1999 40: 316-322; doi:10.1093/screen/40.3.316 [Request Permissions]  

M Temple

The Godard dossier. The nutty professor: teaching film with Jean-Luc Godard
Screen 1999 40: 323-330; doi:10.1093/screen/40.3.323 [Request Permissions]  

Histoire(s) du Cinéma: a select bibliography
Screen 1999 40: 347; doi:10.1093/screen/40.3.347 [Request Permissions]  

M MacDonald

Reviews. The Documentary Film Movement: an Anthology. Ian Aitken(ed). Documenting the Documentary: Close Readings of Documentary Film and Video. Barry Keith Grant, Jeannette Sloniowski(eds). Why Docudrama? Fact-Fiction on Film and TV. Alan Rosenthal(ed). No Other Way to Tell It: Dramadoc/Docudrama on Television. Derek Paget
Screen 1999 40: 348-353; doi:10.1093/screen/40.3.348 [Request Permissions]  

E Gallafent

Reviews. Back in the Saddle Again: New Essays on the Western. Edward Buscombe, Roberta E Pearson(eds). Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies. Stephen Prince
Screen 1999 40: 354-357; doi:10.1093/screen/40.3.354 [Request Permissions]  

M Smith

Review. (Dis)engaging characters: a response to Lynne Pearce's review
Screen 1999 40: 358-362; doi:10.1093/screen/40.3.358 [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.