Screen

Articles

C Balides

Jurassic post-Fordism: tall tales of economics in the theme park
Screen 2000 41: 139-160; doi:10.1093/screen/41.2.139 [Request Permissions]  

L Phelan

Artificial women and male subjectivity in 42nd Street and Bride of Frankenstein
Screen 2000 41: 161-182; doi:10.1093/screen/41.2.161 [Request Permissions]  

S MacKenzie

A screen of one's own: early cinema in Québec and the public sphere 1906-28
Screen 2000 41: 183-202; doi:10.1093/screen/41.2.183 [Request Permissions]  

CP Sellors

The impossibility of science fiction: against Buckland's possible worlds
Screen 2000 41: 203-216; doi:10.1093/screen/41.2.203 [Request Permissions]  

S Pratten and S Deakin

Report. Competitiveness policy and economic organization: the case of the British film industry
Screen 2000 41: 217-237; doi:10.1093/screen/41.2.217 [Request Permissions]  

A Noble

Report. Latin American Cinema Conference: Theory and Praxis, University of Leeds, 29-30 June 1999
Screen 2000 41: 238-241; doi:10.1093/screen/41.2.238 [Request Permissions]  

A Wood

Report. Screen studies in conference, University of Glasgow, 2-4 July 1999
Screen 2000 41: 241-243; doi:10.1093/screen/41.2.241 [Request Permissions]  

L Gopalan

Review. Ideology of the Hindi film: a historical construction. M Madhava Prasad
Screen 2000 41: 243-248; doi:10.1093/screen/41.2.243 [Request Permissions]  

J Hill

Review. Hollywood and Europe: economics, culture, national identity 1946-95. G Nowell-Smith, S Ricci [edd]
Screen 2000 41: 249-252; doi:10.1093/screen/41.2.249 [Request Permissions]  

J Hillier

Review. Contemporary Hollywood cinema
Screen 2000 41: 253-256; doi:10.1093/screen/41.2.253 [Request Permissions]  

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