Screen

Articles

SK Tan

Chinese diasporic imaginations in Hong Kong films: Sinicist belligerence and melancholia
Screen 2001 42: 1-20; doi:10.1093/screen/42.1.1 [Request Permissions]  

C Vernallis

The kindest cut: functions and meanings of music video editing
Screen 2001 42: 21-48; doi:10.1093/screen/42.1.21 [Request Permissions]  

M Stollery

Masculinities, generations, and cultural transformation in contemporary Tunisian cinema
Screen 2001 42: 49-63; doi:10.1093/screen/42.1.49 [Request Permissions]  

L Grieveson

'A kind of recreative school for the whole family': making cinema respectable, 1907-09
Screen 2001 42: 64-76; doi:10.1093/screen/42.1.64 [Request Permissions]  

A Noble

If looks could kill: image wars in Maria Candelaria
Screen 2001 42: 77-91; doi:10.1093/screen/42.1.77 [Request Permissions]  

M Aaron

Reports and debates. The Boys Don't Cry debate: Pass/fail
Screen 2001 42: 92-96; doi:10.1093/screen/42.1.92 [Request Permissions]  

J Pidduck

Reports and debates. The Boys Don't Cry debate: risk and queer spectatorship
Screen 2001 42: 97-102; doi:10.1093/screen/42.1.97 [Request Permissions]  

T Soila

Report. Screen Studies Conference, University of Glasgow, 30 June-2 July 2000
Screen 2001 42: 103-108; doi:10.1093/screen/42.1.103 [Request Permissions]  

P Petro

Review. The Films of Fritz Land: Allegories of Vision and Modernity. T Gunning
Screen 2001 42: 109-115; doi:10.1093/screen/42.1.109 [Request Permissions]  

C Wagstaff

Review. Theories of Cinema, 1945-1995. F Casetti
Screen 2001 42: 116-120; doi:10.1093/screen/42.1.116 [Request Permissions]  

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