Screen

Articles

Richard Rushton

Cinema's double: some reflections on Metz
Screen 2002 43: 107-118; doi:10.1093/screen/43.2.107 [Request Permissions]  

Priya Jaikumar

An Act of transition: empire and the making of a national British film industry
Screen 2002 43: 119-138; doi:10.1093/screen/43.2.119 [Request Permissions]  

Mark Garrett Cooper

Narrative spaces
Screen 2002 43: 139-157; doi:10.1093/screen/43.2.139 [Request Permissions]  

Rosalind Galt

Italy's landscapes of loss: historical mourning and the dialectical image in Cinema Paradiso, Mediterraneo and Il Postino
Screen 2002 43: 158-173; doi:10.1093/screen/43.2.158 [Request Permissions]  

Alastair Phillips

Screen dossier: European actors in Hollywood
Screen 2002 43: 174-177; doi:10.1093/screen/43.2.174 [Request Permissions]  

Dana Polan

Methodological reflections on the study of the emigre actor
Screen 2002 43: 178-186; doi:10.1093/screen/43.2.178 [Request Permissions]  

Alastair Phillips

Changing bodies/changing voices: success and failure in Hollywood in the early sound era
Screen 2002 43: 187-200; doi:10.1093/screen/43.2.187 [Request Permissions]  

Geneviève Sellier

Danielle Darrieux, Michèle Morgan and Micheline Presle in Hollywood: the threat to French identity
Screen 2002 43: 201-214; doi:10.1093/screen/43.2.201 [Request Permissions]  

Suzy Gordon

First European Psychoanalytic Film Festival
Screen 2002 43: 215-218; doi:10.1093/screen/43.2.215 [Request Permissions]  

Philip Schlesinger

Irish Film: the Emergence of a Contemporary Cinema; Duncan Petrie, Screening Scotland
Screen 2002 43: 219-223; doi:10.1093/screen/43.2.219 [Request Permissions]  

David Pascoe

Promised Lands: Cinema, Geography, Modernism
Screen 2002 43: 224-228; doi:10.1093/screen/43.2.224 [Request Permissions]  

Jacqueline Maingard

Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image
Screen 2002 43: 229-232; doi:10.1093/screen/43.2.229 [Request Permissions]  

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