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Articles

Nezih Erdogan

Mute bodies, disembodied voices: notes on sound in Turkish popular cinema
Screen 2002 43: 233-249; doi:10.1093/screen/43.3.233 [Request Permissions]  

Rose Marie San Juan and Geraldine Pratt

Virtual cities: film and the urban mapping of virtual space
Screen 2002 43: 250-270; doi:10.1093/screen/43.3.250 [Request Permissions]  

Nicola Evans

The family changes colour: interracial families in contemporary Hollywood cinema
Screen 2002 43: 271-292; doi:10.1093/screen/43.3.271 [Request Permissions]  

Julia Moszkowicz

To infinity and beyond: assessing the technological imperative in computer animation
Screen 2002 43: 293-314; doi:10.1093/screen/43.3.293 [Request Permissions]  

Scott MacKenzie

Baise-moi, feminist cinemas and the censorship controversy
Screen 2002 43: 315-324; doi:10.1093/screen/43.3.315 [Request Permissions]  

Catherine Johnson and Rachel Moseley

Midlands Television Research Group: 1999–2002
Screen 2002 43: 325-330; doi:10.1093/screen/43.3.325 [Request Permissions]  

Jennifer Clark

‘Bold! Daring! Shocking! True!’ A History of Exploitation Films, 1919–1959
Screen 2002 43: 331-336; doi:10.1093/screen/43.3.331 [Request Permissions]  

Emma Wilson

The Fright of Real Tears: Krzysztof Kielowski between Theory and Post-Theory
Screen 2002 43: 337-340; doi:10.1093/screen/43.3.337 [Request Permissions]  

Karen Boyle

Reel Knockouts: Violent Women in the Movies
Screen 2002 43: 341-344; doi:10.1093/screen/43.3.341 [Request Permissions]  

Lee Grieveson

Melodrama and Modernity: Early Sensational Cinema and Its Contexts
Screen 2002 43: 345-348; doi:10.1093/screen/43.3.345 [Request Permissions]  

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