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Contents: Volume 43, Number 3, Autumn 2002   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Nezih Erdogan
Mute bodies, disembodied voices: notes on sound in Turkish popular cinema
Screen 2002 43: 233-249; doi:10.1093/screen/43.3.233 [PDF] [Request Permissions]  

Rose Marie San Juan and Geraldine Pratt
Virtual cities: film and the urban mapping of virtual space
Screen 2002 43: 250-270; doi:10.1093/screen/43.3.250 [PDF] [Request Permissions]  

Nicola Evans
The family changes colour: interracial families in contemporary Hollywood film
Screen 2002 43: 271-292; doi:10.1093/screen/43.3.271 [PDF] [Request Permissions]  

Julia Moszkowicz
To infinity and beyond: assessing the technological imperative in computer animation
Screen 2002 43: 293-314; doi:10.1093/screen/43.3.293 [PDF] [Request Permissions]  

Reports and Debates Back

Scott MacKenzie
Baise-moi, feminist cinemas and the censorship controversy
Screen 2002 43: 315-324; doi:10.1093/screen/43.3.315 [PDF] [Request Permissions]  

Catherine Johnson and Rachel Moseley
Midlands Television Research Group: 1999–2002
Screen 2002 43: 325-330; doi:10.1093/screen/43.3.325 [PDF] [Request Permissions]  

Book Reviews Back

Jennifer Clark
Eric Schaefer, ‘Bold! Daring! Shocking! True!’ A History of Exploitation Films, 1919–1959
Screen 2002 43: 331-336; doi:10.1093/screen/43.3.331 [PDF] [Request Permissions]  

Emma Wilson
Slavoj Zizek, The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory
Screen 2002 43: 337-340; doi:10.1093/screen/43.3.337 [PDF] [Request Permissions]  

Karen Boyle
Martha McCaughey and Neal King (eds.), Reel Knockouts: Violent Women in the Movies
Screen 2002 43: 341-344; doi:10.1093/screen/43.3.341 [PDF] [Request Permissions]  

Lee Grieveson
Ben Singer, Melodrama and Modernity: Early Sensational Cinema and Its Contexts
Screen 2002 43: 345-348; doi:10.1093/screen/43.3.345 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.