Screen

Articles

Jeffrey Sconce

Irony, nihilism and the new American ‘smart’ film
Screen 2002 43: 349-369; doi:10.1093/screen/43.4.349 [Request Permissions]  

Aylish Wood

Timespaces in spectacular cinema: crossing the great divide of spectacle versus narrative
Screen 2002 43: 370-386; doi:10.1093/screen/43.4.370 [Request Permissions]  

Joe Moran

Childhood, class and memory in the Seven Up films
Screen 2002 43: 387-402; doi:10.1093/screen/43.4.387 [Request Permissions]  

Rachel Moseley

Glamorous witchcraft: gender and magic in teen film and television
Screen 2002 43: 403-422; doi:10.1093/screen/43.4.403 [Request Permissions]  

Greg Elmer

The trouble with the Canadian ‘body double’: runaway productions and foreign location shooting
Screen 2002 43: 423-431; doi:10.1093/screen/43.4.423 [Request Permissions]  

Kaveh Askari and Joshua Yumibe

Cinema as ‘Vernacular Modernism’ Conference
Screen 2002 43: 432-437; doi:10.1093/screen/43.4.432 [Request Permissions]  

Alison Butler

Maya Deren and the American Avant-Garde
Screen 2002 43: 438-441; doi:10.1093/screen/43.4.438 [Request Permissions]  

David Martin-Jones

The Skin of the Film: Intercultural Cinema, Embodiment and the Senses
Screen 2002 43: 442-446; doi:10.1093/screen/43.4.442 [Request Permissions]  

Arvind Rajagopal

The Feminist, the Housewife and the Soap Opera
Screen 2002 43: 447-451; doi:10.1093/screen/43.4.447 [Request Permissions]  

Chris Holmlund

Stars and Stardom in French Cinema
Screen 2002 43: 452-455; doi:10.1093/screen/43.4.452 [Request Permissions]  

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