Screen

Articles

Charles R. Acland

Haunted places: Montréal's Rue Ste Catherine and its cinema spaces
Screen 2003 44: 133-153; doi:10.1093/screen/44.2.133 [Request Permissions]  

Alastair Phillips

Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro
Screen 2003 44: 154-166; doi:10.1093/screen/44.2.154 [Request Permissions]  

Celestino Deleyto

Between friends: love and friendship in contemporary Hollywood romantic comedy
Screen 2003 44: 167-182; doi:10.1093/screen/44.2.167 [Request Permissions]  

Ning Ma

Signs of angst and hope: history and melodrama in Chinese fifth-generation cinema
Screen 2003 44: 183-199; doi:10.1093/screen/44.2.183 [Request Permissions]  

Peter Thomas

Victimage and violence: Memento and trauma theory
Screen 2003 44: 200-207; doi:10.1093/screen/44.2.200 [Request Permissions]  

Daniel Humphrey

Authorship, history and the dialectic of trauma: Derek Jarman's The Last of England
Screen 2003 44: 208-215; doi:10.1093/screen/44.2.208 [Request Permissions]  

Karen Randell

Masking the horror of trauma: the hysterical body of Lon Chaney
Screen 2003 44: 216-221; doi:10.1093/screen/44.2.216 [Request Permissions]  

Michael Hammond

Laughter during wartime: comedy and the language of trauma in British cinema regulation 1917
Screen 2003 44: 222-228; doi:10.1093/screen/44.2.222 [Request Permissions]  

Adrian Horn

Imagination: Visual Culture and Identity since the 1940s
Screen 2003 44: 229-234; doi:10.1093/screen/44.2.229 [Request Permissions]  

John Fullerton

Oscar Micheaux and His Circle: African–American Filmmaking and Race Cinema of the Silent Era
Screen 2003 44: 235-239; doi:10.1093/screen/44.2.235 [Request Permissions]  

John Fullerton

Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences
Screen 2003 44: 235-239; doi:10.1093/screen/44.2.235-a [Request Permissions]  

John Fullerton

Fire and Desire: Mixed-Race Movies in the Silent Era
Screen 2003 44: 235-239; doi:10.1093/screen/44.2.235-b [Request Permissions]  

James Lyons

Moviegoing in America: A Sourcebook in the History of Film Exhibition
Screen 2003 44: 240-245; doi:10.1093/screen/44.2.240 [Request Permissions]  

James Lyons

Global Hollywood
Screen 2003 44: 240-245; doi:10.1093/screen/44.2.240-a [Request Permissions]  

Catherine Fowler

Popular Cinemas of Europe – Texts, Contexts and Frameworks
Screen 2003 44: 246-249; doi:10.1093/screen/44.2.246 [Request Permissions]  

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