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Contents: Volume 44, Number 2, Summer 2003   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Charles R. Acland
Haunted places: Montréal's Rue Ste Catherine and its cinema spaces
Screen 2003 44: 133-153; doi:10.1093/screen/44.2.133 [PDF] [Request Permissions]  

Alastair Phillips
Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro
Screen 2003 44: 154-166; doi:10.1093/screen/44.2.154 [PDF] [Request Permissions]  

Celestino Deleyto
Between friends: love and friendship in contemporary Hollywood romantic comedy
Screen 2003 44: 167-182; doi:10.1093/screen/44.2.167 [PDF] [Request Permissions]  

Ning Ma
Signs of angst and hope: history and melodrama in Chinese fifth-generation cinema
Screen 2003 44: 183-199; doi:10.1093/screen/44.2.183 [PDF] [Request Permissions]  

The Trauma Debate II Back

Peter Thomas
Victimage and violence: Memento and trauma theory
Screen 2003 44: 200-207; doi:10.1093/screen/44.2.200 [PDF] [Request Permissions]  

Daniel Humphrey
Authorship, history and the dialectic of trauma: Derek Jarman's The last of England
Screen 2003 44: 208-215; doi:10.1093/screen/44.2.208 [PDF] [Request Permissions]  

Karen Randell
Masking the horror of trauma: the hysterical body of Lon Chaney
Screen 2003 44: 216-221; doi:10.1093/screen/44.2.216 [PDF] [Request Permissions]  

Michael Hammond
Laughter during wartime: comedy and the language of trauma in British cinema regulation 1917
Screen 2003 44: 222-228; doi:10.1093/screen/44.2.222 [PDF] [Request Permissions]  

Report Back

Adrian Horn
Imagination: Visual Culture and Identity in Britain since the 1940s: Tate Britain, London, 20–21 September 2002
Screen 2003 44: 229-234; doi:10.1093/screen/44.2.229 [PDF] [Request Permissions]  

Book Reviews Back

John Fullerton
Pearl Bowser, Jane Gaines and Charles Musser eds., Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era; Pearl Bowser and Louise Spence, Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences; Jane M. Gaines, Fire and Desire: Mixed-Race Movies in the Silent Era
Screen 2003 44: 235-239; doi:10.1093/screen/44.2.235 [PDF] [Request Permissions]  

James Lyons
Gregory A. Waller ed., Moviegoing in America: a Sourcebook in the History of Film Exhibition; Toby Miller, Nitin Govil, John McMurria and Richard Maxwell, Global Hollywood
Screen 2003 44: 240-245; doi:10.1093/screen/44.2.240 [PDF] [Request Permissions]  

Catherine Fowler
Dimitris Eleftheriotis, Popular Cinemas of Europe – Texts, Contexts and Framework
Screen 2003 44: 246-249; doi:10.1093/screen/44.2.246 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.