Screen

Articles

Jodi Brooks

Ghosting the machine: the sounds of tap and the sounds of film
Screen 2003 44: 355-378; doi:10.1093/screen/44.4.355 [Request Permissions]  

James Tweedie

The suspended spectacle of history: the tableau vivand in Derek Larman’s Caravaggio
Screen 2003 44: 379-403; doi:10.1093/screen/44.4.379 [Request Permissions]  

Aniko Bodroghkozy

Good times in race relations? CBS’s Good Times and the legacy of civil rights in 1970s prime-time television
Screen 2003 44: 404-428; doi:10.1093/screen/44.4.404 [Request Permissions]  

Jamie Sexton

‘Televerite’ hits Britain: documentary, drama and the growth of 16mm filmmaking in British television
Screen 2003 44: 429-444; doi:10.1093/screen/44.4.429 [Request Permissions]  

Laughing into an abyss: cinema and Balkanization
Screen 2003 44: 445-464; doi:10.1093/screen/44.4.445 [Request Permissions]  

Chris Berry

Building a New China in Cinema: the Chinease Left-Wing Cinema Movement, 1932–1937
Screen 2003 44: 465-470; doi:10.1093/screen/44.4.465 [Request Permissions]  

Chris Berry

Dai Jinhua, Cinema and Desire: Feminist Marxism and Cultural Politics in the work of Dai Jinhua
Screen 2003 44: 465-470; doi:10.1093/screen/44.4.465-a [Request Permissions]  

Howard Finn

Jean Mitry, The Asthetics and Psychology of the Cinema
Screen 2003 44: 471-475; doi:10.1093/screen/44.4.471 [Request Permissions]  

Iris Kleinecke

The Classic Serial on Television and Radio
Screen 2003 44: 476-480; doi:10.1093/screen/44.4.476 [Request Permissions]  

Iris Kleinecke

Adaption Revisited: Television and the Classic Serial.
Screen 2003 44: 476-480; doi:10.1093/screen/44.4.476-a [Request Permissions]  

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