Screen

Articles

Burlin Barr

‘Wandering with precision’: contamination and the mise-en-scene of desire in Chris Marker’ sSans soleil
Screen 2004 45: 173-189; doi:10.1093/screen/45.3.173 [Request Permissions]  

Maria Walsh

Intervals of inner flight: Chantal Akerman’s News From Home
Screen 2004 45: 190-205; doi:10.1093/screen/45.3.190 [Request Permissions]  

Suzy Gordon

Breaking the Waves and the negativity of Melanie Klein: rethinking ‘the female spectator’
Screen 2004 45: 206-225; doi:10.1093/screen/45.3.206 [Request Permissions]  

Richard Rushton

Early, classical and modern cinema: absorption and theatricality
Screen 2004 45: 226-244; doi:10.1093/screen/45.3.226 [Request Permissions]  

Alexander Dhoest

Breaking Boundaries in Television Historiography: Historical Research and the Television Archive, University of Reading, 9 January 2004
Screen 2004 45: 245-249; doi:10.1093/screen/45.3.245 [Request Permissions]  

Justin Smith

Underground USA: Filmmaking Beyond the Hollywood Canon
Screen 2004 45: 250-255; doi:10.1093/screen/45.3.250 [Request Permissions]  

Justin Smith

The Cinema of George A. Romero: Knight of the Living Dead
Screen 2004 45: 250-255; doi:10.1093/screen/45.3.250-a [Request Permissions]  

Justin Smith

Defining Cult Movies: the Cultural Politics of Oppositional Taste
Screen 2004 45: 250-255; doi:10.1093/screen/45.3.250-b [Request Permissions]  

Graeme Turner

Film Cultures
Screen 2004 45: 256-259; doi:10.1093/screen/45.3.256 [Request Permissions]  

Julia Knight

The German Cinema Book
Screen 2004 45: 260-264; doi:10.1093/screen/45.3.260 [Request Permissions]  

Ulrike Sieglohr

Hitler’s Heroines: Stardom and Womanhood in Nazi Germany
Screen 2004 45: 265-272; doi:10.1093/screen/45.3.265 [Request Permissions]  

Ulrike Sieglohr

The Triumph of the Ordinary: Depictions of Daily Life in the East German Cinema 1949-1989
Screen 2004 45: 265-272; doi:10.1093/screen/45.3.265-a [Request Permissions]  

Ulrike Sieglohr

Light Motives: German Popular Film in Perspective
Screen 2004 45: 265-272; doi:10.1093/screen/45.3.265-b [Request Permissions]  

Ulrike Sieglohr

The Dark Mirror: German Cinema Between Hitler and Hollywood
Screen 2004 45: 265-272; doi:10.1093/screen/45.3.265-c [Request Permissions]  

Ulrike Sieglohr

Leni Riefenstahl: the Seduction of Genius
Screen 2004 45: 265-272; doi:10.1093/screen/45.3.265-d [Request Permissions]  

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