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Contents: Volume 45, Number 4, Winter 2004   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Helen Piper
Reality TV, Wife Swap and the drama of banality
Screen 2004 45: 273-286; doi:10.1093/screen/45.4.273 [PDF] [Request Permissions]  

Robert Miklitsch
Audiophilia: audiovisual pleasure and narrative cinema in Jackie Brown
Screen 2004 45: 287-304; doi:10.1093/screen/45.4.287 [PDF] [Request Permissions]  

Asuman Suner
Horror of a different kind: dissonant voices of the new Turkish cinema
Screen 2004 45: 305-323; doi:10.1093/screen/45.4.305 [PDF] [Request Permissions]  

Catherine Fowler
Room for experiment: gallery films and vertical time from Maya Deren to Eija Liisa Ahtila
Screen 2004 45: 324-343; doi:10.1093/screen/45.4.324 [PDF] [Request Permissions]  

Paul Grainge
Branding Hollywood: studio logos and the aesthetics of memory and hype
Screen 2004 45: 344-362; doi:10.1093/screen/45.4.344 [PDF] [Request Permissions]  

Production/Set Design Dossier Back

Sarah Street
Introduction
Screen 2004 45: 363-366; doi:10.1093/screen/45.4.363 [PDF] [Request Permissions]  

Laurie Ede
Capital and creativity: some notes on the British film art director of the 1940s
Screen 2004 45: 367-374; doi:10.1093/screen/45.4.367 [PDF] [Request Permissions]  

Ben McCann
‘A discreet character?’ Action spaces and architectural specificity in French poetic realist cinema
Screen 2004 45: 375-382; doi:10.1093/screen/45.4.375 [PDF] [Request Permissions]  

Damian Sutton
The Dream Works effect: the case for studying the ideology of production design
Screen 2004 45: 383-390; doi:10.1093/screen/45.4.383 [PDF] [Request Permissions]  

Trauma Dossier Back

Caroline Bainbridge
The trauma debate: Just looking? Traumatic affect film form and spectatorship in the work of Lars von Trier
Screen 2004 45: 391-400; doi:10.1093/screen/45.4.391 [PDF] [Request Permissions]  

Anita Biressi
Inside/out: private trauma and public knowledge in true crime documentary
Screen 2004 45: 401-412; doi:10.1093/screen/45.4.401 [PDF] [Request Permissions]  

Heather Nunn
Errol Morris: documentary as psychic drama
Screen 2004 45: 413-422; doi:10.1093/screen/45.4.413 [PDF] [Request Permissions]  

Debate Back

Amanda D. Lotz
Using ‘network’ theory in the postnetwork era: fictional 9/11 US television discourse as a 'cultural forum
Screen 2004 45: 423-439; doi:10.1093/screen/45.4.423 [PDF] [Request Permissions]  

Book Reviews Back

A.L. Rees
Nicky Hamlyn, Film Art Phenomena; Nina Danino and Michael Maziere eds., The Undercut Reader: Critical Writings on Artists' Film and Video; Wheeler Winston Dixon and Gwendolyn Audrey Foster eds., Experimental Cinema: the Film Reader
Screen 2004 45: 440-446; doi:10.1093/screen/45.4.440 [PDF] [Request Permissions]  

Robert Murphy
Philip Gillett, The British Working Class in Postwar Film; Sue Harper and Vincent Porter, British Cinema of the 1950s: the Decline of Deference
Screen 2004 45: 447-451; doi:10.1093/screen/45.4.447 [PDF] [Request Permissions]  

Charlene Regester
Arthur Knight, Disintegrating the Musical: Black Performance and American Musical Film
Screen 2004 45: 452-456; doi:10.1093/screen/45.4.452 [PDF] [Request Permissions]  

Daniel Barratt
Greg M. Smith, Film Structure and the Emotion System
Screen 2004 45: 457-460; doi:10.1093/screen/45.4.457 [PDF] [Request Permissions]  

Bruce Bennett
Mary Anne Doane, The Emergence of Cinematic Time: Modernity, Contingency, the Archive
Screen 2004 45: 461-466; doi:10.1093/screen/45.4.461 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.