Screen

Articles

Sarah Street

Michael Powell centenary issue: introduction
Screen 2005 46: 1-4; doi:10.1093/screen/hjh042 [Request Permissions]  

Charles Barr

Hitchcock and Powell: two directions for British cinema
Screen 2005 46: 5-13; doi:10.1093/screen/hjh043 [Abstract] [Request Permissions]  

Andrew Moor

Autobiography, the self and Pressburger–Powell's The Golden Years project
Screen 2005 46: 15-31; doi:10.1093/screen/hjh044 [Abstract] [Request Permissions]  

James Chapman

‘The true business of the British movie’? A Matter of Life and Death and British film culture
Screen 2005 46: 33-49; doi:10.1093/screen/hjh045 [Abstract] [Request Permissions]  

Damian Sutton

Rediagnosing A Matter of Life and Death
Screen 2005 46: 51-61; doi:10.1093/screen/hjh046 [Abstract] [Request Permissions]  

Robert Murphy

Strong men: three forms of the magus in the films of Powell and Pressburger
Screen 2005 46: 63-71; doi:10.1093/screen/hjh047 [Abstract] [Request Permissions]  

Jeanette Hoorn

Comedy and Eros: Powell's Australian films They're a Weird Mob and Age of Consent
Screen 2005 46: 73-84; doi:10.1093/screen/hjh048 [Abstract] [Request Permissions]  

Dossier

Sarah Street

The British film debate: Introduction
Screen 2005 46: 85-86; doi:10.1093/screen/hjh049 [Request Permissions]  

Margaret Dickinson and Sylvia Harvey

Public policy and public funding for film: some recent developments in the UK
Screen 2005 46: 87-95; doi:10.1093/screen/hjh050 [Request Permissions]  

Wendy Everett

Images on the move: reframing the cinemas of Europe
Screen 2005 46: 97-105; doi:10.1093/screen/hjh051 [Request Permissions]  

Report

Patrick Russell

Parenthood: nurturing and developing the BFI National Film and Television Archive
Screen 2005 46: 107-114; doi:10.1093/screen/hjh052 [Request Permissions]  

Reviews

Christine Geraghty

Review: Dickens and the Dream of Cinema
Screen 2005 46: 115-119; doi:10.1093/screen/hjh053 [Request Permissions]  

Sarah Street

Review: Legitimate Cinema: Theatre Stars in Silent British Films, 1908–1918
Screen 2005 46: 121-126; doi:10.1093/screen/hjh054 [Request Permissions]  

Laura U. Marks

Review: The Cinema Effect
Screen 2005 46: 127-131; doi:10.1093/screen/hjh055 [Request Permissions]  

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