Screen

Articles

Peter Dickinson

Space, time, auteur-ity and the queer male body: the film adaptations of Robert Lepage
Screen 2005 46: 133-153; doi:10.1093/screen/hjh056 [Abstract] [Request Permissions]  

Su Holmes

‘It's a woman!’: the question of gender on Who Wants to be a Millionaire
Screen 2005 46: 155-173; doi:10.1093/screen/hjh057 [Abstract] [Request Permissions]  

Lisa Trahair

Figural vision: Freud, Lyotard, and early cinematic comedy
Screen 2005 46: 175-193; doi:10.1093/screen/hjh058 [Abstract] [Request Permissions]  

Hyun-Suk Seo

The unheard mourning: offscreen sound and melancholy in Applause
Screen 2005 46: 195-211; doi:10.1093/screen/hjh059 [Abstract] [Request Permissions]  

Dossier

Duncan Petrie

Scottish cinema: introduction
Screen 2005 46: 213-216; doi:10.1093/screen/hjh060 [Abstract] [Request Permissions]  

Jonathan Murray

Kids in America? Narratives of transatlantic influence in 1990s Scottish cinema
Screen 2005 46: 217-225; doi:10.1093/screen/hjh061 [Request Permissions]  

David Martin-Jones

Sexual healing: representations of the English in post-devolutionary Scotland
Screen 2005 46: 227-233; doi:10.1093/screen/hjh062 [Request Permissions]  

Ian Goode

Scottish cinema and Scottish imaginings: Blue Black Permanent and Stella Does Tricks
Screen 2005 46: 235-239; doi:10.1093/screen/hjh063 [Request Permissions]  

Sarah Neely

Scotland, heritage and devolving British cinema
Screen 2005 46: 241-245; doi:10.1093/screen/hjh064 [Request Permissions]  

Report

Rod Stoneman

The sins of commission II
Screen 2005 46: 247-264; doi:10.1093/screen/hjh065 [Request Permissions]  

Kay Dickinson

Report on the first Ramallah International Film Festival
Screen 2005 46: 265-273; doi:10.1093/screen/hjh066 [Request Permissions]  

Reviews

Richard Rushton

Deleuze on Cinema • The Matrix of Visual Culture: Working with Deleuze in Film Theory
Screen 2005 46: 275-279; doi:10.1093/screen/hjh067 [Request Permissions]  

John Orr

The Story of Film
Screen 2005 46: 281-285; doi:10.1093/screen/hjh068 [Request Permissions]  

Alastair Phillips

Film Noir and the Spaces of Modernity
Screen 2005 46: 287-294; doi:10.1093/screen/hjh069 [Request Permissions]  

William Boddy

Cold War, Cool Medium: Television, McCarthyism and American Culture
Screen 2005 46: 295-298; doi:10.1093/screen/hjh070 [Request Permissions]  

Sue Harriss

Jean-Luc Godard: a Portrait of the Artist at 70 • A History of the French New Wave Cinema • Jean-Pierre Melville: an American in Paris
Screen 2005 46: 299-305; doi:10.1093/screen/hjh071 [Request Permissions]  

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