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Contents: Volume 46, Number 4, Winter 2005   [Index by Author] 
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Front Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Annette Kuhn
Thresholds: film as film and the aesthetic experience
Screen 2005 46: 401-414; doi:10.1093/screen/46.4.401 [PDF] [Request Permissions]  

Sarah Wright
Dropping the mask: theatricality and absorption in Sáenz de Heredia's Don Juan
Screen 2005 46: 415-433; doi:10.1093/screen/46.4.415 [PDF] [Request Permissions]  

Jian Xu
Representing rural migrants in the city: experimentalism in Wang Xiaoshuai's So Close to Paradise and Beijing Bicycle
Screen 2005 46: 433-450; doi:10.1093/screen/46.4.433 [PDF] [Request Permissions]  

Ernest Mathijs
Bad reputations: the reception of ‘trash’ cinema
Screen 2005 46: 451-472; doi:10.1093/screen/46.4.451 [PDF] [Request Permissions]  

Ashley Dawson
Documenting the trauma of apartheid: Long Night's Journey into Day and South Africa's Truth and Reconciliation Commission
Screen 2005 46: 473-486; doi:10.1093/screen/46.4.473 [PDF] [Request Permissions]  

Research Note Back

Brian D. Harvey
Soviet-American ‘cinematic diplomacy’ in the 1930s: could the Russians really have infiltrated Hollywood?
Screen 2005 46: 487-498; doi:10.1093/screen/46.4.487 [PDF] [Request Permissions]  

Reports Back

James Bennett
From the National to the Transnational: European Film and Television in Transition, Humanities Research Centre, University of Warwick, 7 May 2005
Screen 2005 46: 499-502; doi:10.1093/screen/46.4.499 [Abstract] [PDF] [Request Permissions]  

James Walters
‘Some people are disappointed to only get the film....’ What is a DVD?, Humanities Research Centre, University of Warwick, 23 April 2005
Screen 2005 46: 503-508; doi:10.1093/screen/46.4.503 [Abstract] [PDF] [Request Permissions]  

Book Reviews Back

Alison Butler
Julianne Pidduck, Contemporary Costume Film: Space, Place and the Past
Screen 2005 46: 509-512; doi:10.1093/screen/46.4.509 [PDF] [Request Permissions]  

Wendy Everett
Alastair Phillips, City of Darkness, City of Light: Emigre Filmmakers in Paris 1929—1939
Screen 2005 46: 513-516; doi:10.1093/screen/46.4.513 [PDF] [Request Permissions]  

Helen Stoddart
Esther Leslie, Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde
Screen 2005 46: 517-520; doi:10.1093/screen/46.4.517 [PDF] [Request Permissions]  

Matthew Solomon
Lee Grieveson, Policing Cinema: Movies and Censorship in Early-Twentieth-Century America
Screen 2005 46: 521-526; doi:10.1093/screen/46.4.521 [PDF] [Request Permissions]  

Vicky Ball
Francis Bonner, Ordinary Television
Screen 2005 46: 527-530; doi:10.1093/screen/46.4.527 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.