Screen

Articles

Iris Kleinecke

Representations of the Victorian age: interior spaces and the detail of domestic life in two adaptations of Galsworthy's The Forsyte Saga
Screen 2006 47: 139-162; doi:10.1093/screen/hjl013 [Full Text] [PDF] [Request Permissions]  

Jim Ellis

Temporality and queer consciousness in The House of Mirth
Screen 2006 47: 163-178; doi:10.1093/screen/hjl014 [Abstract] [Full Text] [PDF] [Request Permissions]  

Richard Howells

Louis Le Prince: the body of evidence
Screen 2006 47: 179-200; doi:10.1093/screen/hjl015 [Abstract] [Full Text] [PDF] [Request Permissions]  

Elizabeth Ezra

The case of the phantom fetish: Louis Feuillade's Les Vampires
Screen 2006 47: 201-211; doi:10.1093/screen/hjl016 [Abstract] [Full Text] [PDF] [Request Permissions]  

Dale Hudson

‘Just play yourself, "Maggie Cheung"’: Irma Vep, rethinking transnational stardom and unthinking national cinemas
Screen 2006 47: 213-232; doi:10.1093/screen/hjl017 [Abstract] [Full Text] [PDF] [Request Permissions]  

Catherine Constable

Baudrillard reloaded: interrelating philosophy and film via The Matrix Trilogy
Screen 2006 47: 233-249; doi:10.1093/screen/hjl018 [Abstract] [Full Text] [PDF] [Request Permissions]  

Report

Randall Halle

German film, European film: transnational production, distribution and reception
Screen 2006 47: 251-259; doi:10.1093/screen/hjl019 [Full Text] [PDF] [Request Permissions]  

Reviews

Glen Creeber

ITV Cultures: Independent Television Over Fifty Years
Screen 2006 47: 261-265; doi:10.1093/screen/hjl020 [Full Text] [PDF] [Request Permissions]  

Glyn Davis

Serial Television: Big Drama on the Small Screen
Screen 2006 47: 267-270; doi:10.1093/screen/hjl021 [Full Text] [PDF] [Request Permissions]  

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