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Previous Next 		Contents: Volume 48, Number 1, Spring 2007   [Index by Author] 

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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Alison Butler
‘Motor-driven metaphysics’: movement, time and action in the films of Maya Deren
Screen 2007 48: 1-23; doi:10.1093/screen/hjm001 [Abstract] [Full Text] [PDF] [Request Permissions]  

Sam DiIorio
Total cinema: Chronique d'un été and the end of Bazinian film theory
Screen 2007 48: 25-43; doi:10.1093/screen/hjm002 [Abstract] [Full Text] [PDF] [Request Permissions]  

Masha Salazkina
Addressing the dialectics of sexual difference in Eisenstein's Que viva México!
Screen 2007 48: 45-67; doi:10.1093/screen/hjm003 [Abstract] [Full Text] [PDF] [Request Permissions]  

Belén Vidal
Feminist historiographies and the woman artist's biopic: the case of Artemisia
Screen 2007 48: 69-90; doi:10.1093/screen/hjm004 [Abstract] [Full Text] [PDF] [Request Permissions]  

Translation Back

Erica Carter and Rodney Livingstone
Béla Balázs, Visible Man, or the Culture of Film (1924)
Screen 2007 48: 91-108; doi:10.1093/screen/hjm005 [Abstract] [Full Text] [PDF] [Request Permissions]  

Debate Back

Richard Rushton
Absorption and theatricality in the cinema: some thoughts on narrative and spectacle
Screen 2007 48: 109-112; doi:10.1093/screen/hjm006 [Full Text] [PDF] [Request Permissions]  

Reviews Back

Mary Ann Doane
Death 24x a Second: Stillness and the Moving Image
Screen 2007 48: 113-118; doi:10.1093/screen/hjm007 [Full Text] [PDF] [Request Permissions]  

Amy Herzog
Deleuze, Cinema and National Identity: Narrative Time in National Contexts
Screen 2007 48: 119-123; doi:10.1093/screen/hjm008 [Full Text] [PDF] [Request Permissions]  

Christine Gledhill
The Big Show: British Cinema Culture in the Great War 1914–1918
Screen 2007 48: 125-129; doi:10.1093/screen/hjm009 [Full Text] [PDF] [Request Permissions]  

Kathleen M. Gough
The Irish in Us: Irishness, Performativity and Popular Culture
Screen 2007 48: 131-135; doi:10.1093/screen/hjm010 [Full Text] [PDF] [Request Permissions]  

Alison Peirse
The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy
Screen 2007 48: 137-140; doi:10.1093/screen/hjm011 [Full Text] [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.