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Articles

Get checked abstract Tanya Horeck

From documentary to drama: capturing Aileen Wuornos
Screen 2007 48: 141-159; doi:10.1093/screen/hjm012 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Rebecca M. Brown

Partition and the uses of history in Waqt/Time
Screen 2007 48: 161-177; doi:10.1093/screen/hjm013 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Yingjin Zhang

Thinking outside the box: mediation of imaging and information in contemporary Chinese independent documentary
Screen 2007 48: 179-192; doi:10.1093/screen/hjm014 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Rosalind Galt

Missed encounters: reading, catalanitat, the Barcelona School
Screen 2007 48: 193-210; doi:10.1093/screen/hjm015 [Abstract] [Full Text] [PDF] [Request Permissions]  

The Caché dossier

Elizabeth Ezra and Jane Sillars

Introduction
Screen 2007 48: 211-213; doi:10.1093/screen/hjm016 [Full Text] [PDF] [Request Permissions]  

Elizabeth Ezra and Jane Sillars

Hidden in plain sight: bringing terror home
Screen 2007 48: 215-221; doi:10.1093/screen/hjm017 [Full Text] [PDF] [Request Permissions]  

Mark Cousins

After the end: word of mouth and Caché
Screen 2007 48: 223-226; doi:10.1093/screen/hjm018 [Full Text] [PDF] [Request Permissions]  

Martine Beugnet

Blind spot
Screen 2007 48: 227-231; doi:10.1093/screen/hjm019 [Full Text] [PDF] [Request Permissions]  

Paul Gilroy

Shooting crabs in a barrel
Screen 2007 48: 233-235; doi:10.1093/screen/hjm020 [Full Text] [PDF] [Request Permissions]  

Ranjana Khanna

From Rue Morgue to Rue des Iris
Screen 2007 48: 237-244; doi:10.1093/screen/hjm021 [Full Text] [PDF] [Request Permissions]  

Max Silverman

The empire looks back
Screen 2007 48: 245-249; doi:10.1093/screen/hjm022 [Full Text] [PDF] [Request Permissions]  

Report

Lars Kristensen

Cinema at the Periphery Conference, University of St Andrews, Scotland, 15–17 June 2006
Screen 2007 48: 251-254; doi:10.1093/screen/hjm023 [Full Text] [PDF] [Request Permissions]  

Reviews

Stephen Teo

China on Screen: Cinema and Nation • From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens 1989–1997
Screen 2007 48: 255-259; doi:10.1093/screen/hjm024 [Full Text] [PDF] [Request Permissions]  

Mark Jancovich

The Cinema of John Carpenter: the Technique of Terror • Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968 • The Pleasures of Horror • The Horror Film • The Horror Film: an Introduction
Screen 2007 48: 261-266; doi:10.1093/screen/hjm025 [Full Text] [PDF] [Request Permissions]  

Robert Murphy

British Cinema and the Cold War
Screen 2007 48: 267-271; doi:10.1093/screen/hjm026 [Full Text] [PDF] [Request Permissions]  

Stan Link

Changing Tunes: the Use of Pre-existing Music in Film • Film's Musical Moments • European Film Music
Screen 2007 48: 273-279; doi:10.1093/screen/hjm027 [Full Text] [PDF] [Request Permissions]  

Robin Nelson

The Television Series • Terry Nation • Jimmy Perry and David Croft • Alan Clarke • Andrew Davies • Lynda La Plante
Screen 2007 48: 281-286; doi:10.1093/screen/hjm028 [Full Text] [PDF] [Request Permissions]  

Notes to Contributors

Notes to Contributors
Screen 2007 48: 287; doi:10.1093/screen/hjm029 [PDF] [Request Permissions]  

Contributors

Contributors
Screen 2007 48: 288-289; doi:10.1093/screen/hjm030 [PDF] [Request Permissions]  

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