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Previous Next 		Contents: Volume 49, Number 2, Summer 2008   [Index by Author] 

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Front Matter (PDF) | Back Matter (PDF) | Table of Contents (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Douglas Cunningham
‘It's all there, it's no dream’: Vertigo and the redemptive pleasures of the cinephilic pilgrimage
Screen 2008 49: 123-141; doi:10.1093/screen/hjn026 [Abstract] [Full Text] [PDF] [Request Permissions]  

William Boddy
A century of electronic cinema
Screen 2008 49: 142-156; doi:10.1093/screen/hjn022 [Abstract] [Full Text] [PDF] [Request Permissions]  

Tom Brown
Spectacle/gender/history: the case of Gone with the Wind
Screen 2008 49: 157-178; doi:10.1093/screen/hjn023 [Abstract] [Full Text] [PDF] [Request Permissions]  

Peter Stanfield
Maximum movies: Lawrence Alloway's pop art film criticism
Screen 2008 49: 179-193; doi:10.1093/screen/hjn032 [Abstract] [Full Text] [PDF] [Request Permissions]  

Experimental feminist film dossier Back

Sophie Mayer
Expanding the frame: Sally Potter's digital histories and archival futures
Screen 2008 49: 194-202; doi:10.1093/screen/hjn028 [Full Text] [PDF] [Request Permissions]  

Maeve Connolly
Of other worlds: nature and the supernatural in the moving image installations of Jaki Irvine
Screen 2008 49: 203-208; doi:10.1093/screen/hjn024 [Full Text] [PDF] [Request Permissions]  

Sarah Smith
Lip and Love: subversive repetition in the pastiche films of Tracey Moffatt
Screen 2008 49: 209-215; doi:10.1093/screen/hjn031 [Full Text] [PDF] [Request Permissions]  

Sarah Neely
Stalking the image: Margaret Tait and intimate filmmaking practices
Screen 2008 49: 216-221; doi:10.1093/screen/hjn029 [Full Text] [PDF] [Request Permissions]  

reviews Back

Richard Rushton
Filmosophy • The Real Gaze: Film Theory After Lacan
Screen 2008 49: 222-227; doi:10.1093/screen/hjn030 [Full Text] [PDF] [Request Permissions]  

Alastair Phillips
Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance • Sessue Hayakawa: Silent Cinema and Transnational Stardom
Screen 2008 49: 228-233; doi:10.1093/screen/hjn020 [Full Text] [PDF] [Request Permissions]  

Emma Wilson
Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema
Screen 2008 49: 234-236; doi:10.1093/screen/hjn033 [Full Text] [PDF] [Request Permissions]  

Yingjin Zhang
Chinese Documentaries: from Dogma to Polyphony • Sinascape: Contemporary Chinese Cinema
Screen 2008 49: 237-241; doi:10.1093/screen/hjn034 [Full Text] [PDF] [Request Permissions]  

Gaye W. Ortiz
Religion and Film • Cinéma Divinité
Screen 2008 49: 242-245; doi:10.1093/screen/hjn019 [Full Text] [PDF] [Request Permissions]  

Su Holmes
Restyling Factual TV: Audiences and News, Documentary and Reality Genres
Screen 2008 49: 246-249; doi:10.1093/screen/hjn027 [Full Text] [PDF] [Request Permissions]  

David Butler
Gothic Television
Screen 2008 49: 250-254; doi:10.1093/screen/hjn017 [Full Text] [PDF] [Request Permissions]  

Contributors Back

Contributors
Screen 2008 49: 255-256; doi:10.1093/screen/hjn021 [PDF] [Request Permissions]  

Notes to Contributors Back

Notes to Contributors
Screen 2008 49: 257; doi:10.1093/screen/hjn035 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.