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Previous Next 		Contents: Volume 49, Number 3, Autumn 2008   [Index by Author] 

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Front Matter (PDF) | Back Matter (PDF) | Table of Contents (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Nuria Triana-Toribio
Auteurism and commerce in contemporary Spanish cinema: directores mediáticos
Screen 2008 49: 259-276; doi:10.1093/screen/hjn051 [Abstract] [Full Text] [PDF] [Request Permissions]  

Carol Vernallis
Music video, songs, sound: experience, technique and emotion in Eternal Sunshine of the Spotless Mind
Screen 2008 49: 277-297; doi:10.1093/screen/hjn036 [Abstract] [Full Text] [PDF] [Request Permissions]  

Edna M. Rodríguez-Mangual
Fictual factions: on the emergence of a documentary style in recent Cuban films
Screen 2008 49: 298-315; doi:10.1093/screen/hjn042 [Abstract] [Full Text] [PDF] [Request Permissions]  

Channel 4 dossier Back

Paul Kerr
Introduction: thinking outside the box
Screen 2008 49: 316-323; doi:10.1093/screen/hjn039 [Full Text] [PDF] [Request Permissions]  

Hannah Andrews
A view from the demographic: notes on a conference
Screen 2008 49: 324-330; doi:10.1093/screen/hjn038 [Full Text] [PDF] [Request Permissions]  

John Ellis
What did Channel 4 do for us? Reassessing the early years
Screen 2008 49: 331-342; doi:10.1093/screen/hjn037 [Full Text] [PDF] [Request Permissions]  

Sarita Malik
‘Keeping it real’: the politics of Channel 4's multiculturalism, mainstreaming and mandates
Screen 2008 49: 343-353; doi:10.1093/screen/hjn041 [Full Text] [PDF] [Request Permissions]  

research note Back

Julia Knight and Peter Thomas
Distribution and the question of diversity: a case study of Cinenova
Screen 2008 49: 354-365; doi:10.1093/screen/hjn040 [Full Text] [PDF] [Request Permissions]  

reviews Back

Elisabeth Weis
Sound Design and Science Fiction • Uncanny Bodies: the Coming of Sound Film and the Origins of the Horror Genre
Screen 2008 49: 366-369; doi:10.1093/screen/hjn049 [Full Text] [PDF] [Request Permissions]  

Jason Jacobs
Experimental British Television
Screen 2008 49: 370-373; doi:10.1093/screen/hjn046 [Full Text] [PDF] [Request Permissions]  

Edward Buscombe
How the West Was Sung: Music in the Westerns of John Ford
Screen 2008 49: 374-376; doi:10.1093/screen/hjn044 [Full Text] [PDF] [Request Permissions]  

Brian McIlroy
The Irish-American in Popular Culture, 1945–2000 • Irish and African American Cinema: Identifying Others and Performing Identities, 1980–2000
Screen 2008 49: 377-380; doi:10.1093/screen/hjn048 [Full Text] [PDF] [Request Permissions]  

Tom Brown
America First: Naming the Nation in US Film
Screen 2008 49: 381-384; doi:10.1093/screen/hjn043 [Full Text] [PDF] [Request Permissions]  

Karen Healey
Fandom: Identities and Communities in a Mediated World
Screen 2008 49: 385-387; doi:10.1093/screen/hjn045 [Full Text] [PDF] [Request Permissions]  

Contributors Back

Contributors
Screen 2008 49: 388-389; doi:10.1093/screen/hjn047 [PDF] [Request Permissions]  

Notes to Contributors Back

Notes to Contributors
Screen 2008 49: 390; doi:10.1093/screen/hjn050 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.