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Articles

Get checked abstract Lee Wallace

Dorothy Arzner's Wife: heterosexual sets, homosexual scenes
Screen 2008 49: 391-409; doi:10.1093/screen/hjn056 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Patricia White

Lesbian minor cinema
Screen 2008 49: 410-425; doi:10.1093/screen/hjn057 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Lily Cho

Future perfect loss: Richard Fung's Sea in the Blood
Screen 2008 49: 426-439; doi:10.1093/screen/hjn053 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Zoë Druick

The courtroom and the closet in The Thin Blue Line and Capturing the Friedmans
Screen 2008 49: 440-449; doi:10.1093/screen/hjn054 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Victor Fan

The unanswered question of Forrest Gump
Screen 2008 49: 450-461; doi:10.1093/screen/hjn055 [Abstract] [Full Text] [PDF] [Request Permissions]  

reports

Kay Armatage

The Women's Film History Project and Women and the Silent Screen
Screen 2008 49: 462-467; doi:10.1093/screen/hjn052 [Full Text] [PDF] [Request Permissions]  

Tim Bergfelder and Sarah Street

European Network for Cinema and Media Studies Conference. Budapest, 19–22 June 2008
Screen 2008 49: 468-470; doi:10.1093/screen/hjn058 [Full Text] [PDF] [Request Permissions]  

James Whitfield

Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008
Screen 2008 49: 471-476; doi:10.1093/screen/hjn069 [Full Text] [PDF] [Request Permissions]  

reviews

Rosie Thomas

Bombay Cinema: an Archive of the City
Screen 2008 49: 477-481; doi:10.1093/screen/hjn067 [Full Text] [PDF] [Request Permissions]  

Steve Neale

Harnessing the Technicolor Rainbow: Color Design in the 1930s
Screen 2008 49: 482-484; doi:10.1093/screen/hjn064 [Full Text] [PDF] [Request Permissions]  

Anne Morey

D.W. Griffith's The Birth of a Nation: a History of ‘The Most Controversial Motion Picture of All Time’
Screen 2008 49: 485-487; doi:10.1093/screen/hjn063 [Full Text] [PDF] [Request Permissions]  

Paul Julian Smith

Carmen on Film: a Cultural History
Screen 2008 49: 488-490; doi:10.1093/screen/hjn066 [Full Text] [PDF] [Request Permissions]  

Philippa Lovatt

Projecting Migration: Transcultural Documentary Practice
Screen 2008 49: 491-494; doi:10.1093/screen/hjn062 [Full Text] [PDF] [Request Permissions]  

Martine Beugnet

European Film Noir
Screen 2008 49: 495-498; doi:10.1093/screen/hjn059 [Full Text] [PDF] [Request Permissions]  

Ryan Shand

Mining the Home Movie: Excavations in Histories and Memories
Screen 2008 49: 499-501; doi:10.1093/screen/hjn065 [Full Text] [PDF] [Request Permissions]  

Beth Johnson

The New Pornographies: Explicit Sex in Recent French Fiction and Film • One for the Girls! The Pleasures and Practices of Reading Women's Porn
Screen 2008 49: 502-506; doi:10.1093/screen/hjn061 [Full Text] [PDF] [Request Permissions]  

Bryoni Trezise

The Red Velvet Seat: Women's Writing on the First Fifty Years of Cinema
Screen 2008 49: 507-510; doi:10.1093/screen/hjn068 [Full Text] [PDF] [Request Permissions]  

Contributors

Contributors
Screen 2008 49: 511-512; doi:10.1093/screen/hjn060 [PDF] [Request Permissions]  

Notes to Contributors

Notes to Contributors
Screen 2008 49: 513; doi:10.1093/screen/hjn070 [PDF] [Request Permissions]  

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