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Previous 		Contents: Volume 50, Number 4, Winter 2009   [Index by Author] 

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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

ARTICLES Back

Vivian Sobchack
Animation and automation, or, the incredible effortfulness of being
Screen 2009 50: 375-391; doi:10.1093/screen/hjp032 [Abstract] [Full Text] [PDF] [Request Permissions]  

Sylvie Bissonnette
Cyborg brain in Robert Lepage's Possible Worlds
Screen 2009 50: 392-410; doi:10.1093/screen/hjp029 [Abstract] [Full Text] [PDF] [Request Permissions]  

Erika Balsom
A cinema in the gallery, a cinema in ruins
Screen 2009 50: 411-427; doi:10.1093/screen/hjp028 [Abstract] [Full Text] [PDF] [Request Permissions]  

Lez Cooke
Three Ring Circus: the ur-text of modernist television drama
Screen 2009 50: 428-438; doi:10.1093/screen/hjp030 [Abstract] [Full Text] [PDF] [Request Permissions]  

Paul Julian Smith
Almodóvar's unpublished short stories and the question of queer auteurism
Screen 2009 50: 439-449; doi:10.1093/screen/hjp031 [Abstract] [Full Text] [PDF] [Request Permissions]  

REVIEWS Back

James Zborowski
Britton on Film: the Complete Film Criticism of Andrew Britton
Screen 2009 50: 450-453; doi:10.1093/screen/hjp042 [Full Text] [PDF] [Request Permissions]  

Frances Bonner
Live Television: Time, Space and the Broadcast Event
Screen 2009 50: 453-456; doi:10.1093/screen/hjp033 [Full Text] [PDF] [Request Permissions]  

James Chapman
The Essential Science Fiction Television Reader
Screen 2009 50: 456-459; doi:10.1093/screen/hjp035 [Full Text] [PDF] [Request Permissions]  

Steve Neale
Reframing Film Performance
Screen 2009 50: 459-462; doi:10.1093/screen/hjp037 [Full Text] [PDF] [Request Permissions]  

Deborah Cartmell
Now A Major Motion Picture: Film Adaptations of Literature and Drama • Authorship in Film Adaptation
Screen 2009 50: 462-465; doi:10.1093/screen/hjp034 [Full Text] [PDF] [Request Permissions]  

Derek Duncan
Cinema and Fascism: Italian Film and Society, 1922–1943 • Italian Locations: Reinhabiting the Past in Postwar Cinema
Screen 2009 50: 465-468; doi:10.1093/screen/hjp036 [Full Text] [PDF] [Request Permissions]  

John Orr
Michael Haneke's Cinema: the Ethic of the Image
Screen 2009 50: 468-471; doi:10.1093/screen/hjp039 [Full Text] [PDF] [Request Permissions]  

Jason Toynbee
Off Key: When Film and Music Won't Work Together
Screen 2009 50: 471-473; doi:10.1093/screen/hjp041 [Full Text] [PDF] [Request Permissions]  

Miriam Ross
Confronting the ‘Dirty War’ in Argentine Cinema, 1983–1993: Memory and Gender in Historical Representations
Screen 2009 50: 473-475; doi:10.1093/screen/hjp040 [Full Text] [PDF] [Request Permissions]  

CONTRIBUTORS Back

Contributors
Screen 2009 50: 476-477; doi:10.1093/screen/hjp043 [PDF] [Request Permissions]  

NOTES TO CONTRIBUTORS Back

Notes to Contributors
Screen 2009 50: 478; doi:10.1093/screen/hjp038 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.