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<title><![CDATA[Understanding Reality Television * Reality TV - Audiences and Popular Factual Television * Reality TV - Realism and Revelation]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/133?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Helen Piper<br />Jan  1, 2006; 47:133-138<br />Reviews]]></description>
<dc:creator>Helen Piper</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl012</dc:identifier>
<dc:title><![CDATA[Understanding Reality Television * Reality TV - Audiences and Popular Factual Television * Reality TV - Realism and Revelation]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/16/3/6?rss=1&amp;ssource=mfc">
<title><![CDATA[Visual Pleasure and Narrative Cinema]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/16/3/6?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Laura Mulvey<br />Sep  1, 1975; 16:6-18<br />Articles]]></description>
<dc:creator>Laura Mulvey</dc:creator>
<dc:date>1975-09-01</dc:date>
<dc:title><![CDATA[Visual Pleasure and Narrative Cinema]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/1/19?rss=1&amp;ssource=mfc">
<title><![CDATA[The art film, affect and the female viewer: The Piano revisited]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/19?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Barbara Klinger<br />Jan  1, 2006; 47:19-41<br />Articles]]></description>
<dc:creator>Barbara Klinger</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl002</dc:identifier>
<dc:title><![CDATA[The art film, affect and the female viewer: The Piano revisited]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/13/1/5?rss=1&amp;ssource=mfc">
<title><![CDATA[A Short History of Photography]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/13/1/5?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Walter Benjamin<br />Mar  1, 1972; 13:5-26<br />Articles]]></description>
<dc:creator>Walter Benjamin</dc:creator>
<dc:date>1972-03-01</dc:date>
<dc:title><![CDATA[A Short History of Photography]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/50/1/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Screen and screen theorizing today]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/50/1/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Annette Kuhn<br />Mar  1, 2009; 50:1-12<br />]]></description>
<dc:creator>Annette Kuhn</dc:creator>
<dc:date>2009-03-01</dc:date>
<dc:title><![CDATA[Screen and screen theorizing today]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/31/1/45?rss=1&amp;ssource=mfc">
<title><![CDATA[Question of genre]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/31/1/45?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Steve Neale<br />Mar  1, 1990; 31:45-66<br />Articles]]></description>
<dc:creator>Steve Neale</dc:creator>
<dc:date>1990-03-01</dc:date>
<dc:title><![CDATA[Question of genre]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/24/6/2?rss=1&amp;ssource=mfc">
<title><![CDATA[Masculinity as Spectacle]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/24/6/2?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Steve Neale<br />Nov  1, 1983; 24:2-17<br />Articles]]></description>
<dc:creator>Steve Neale</dc:creator>
<dc:date>1983-11-01</dc:date>
<dc:title><![CDATA[Masculinity as Spectacle]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/2/245?rss=1&amp;ssource=mfc">
<title><![CDATA[The empire looks back]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/2/245?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Max Silverman<br />Jan  1, 2007; 48:245-249<br />The Cach&eacute; dossier]]></description>
<dc:creator>Max Silverman</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm022</dc:identifier>
<dc:title><![CDATA[The empire looks back]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/50/1/124?rss=1&amp;ssource=mfc">
<title><![CDATA[On documentary sounds and images in the gallery]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/50/1/124?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Elizabeth Cowie<br />Mar  1, 2009; 50:124-134<br />PART 3: AFTER CINEMA]]></description>
<dc:creator>Elizabeth Cowie</dc:creator>
<dc:date>2009-03-01</dc:date>
<dc:title><![CDATA[On documentary sounds and images in the gallery]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/27/1/44?rss=1&amp;ssource=mfc">
<title><![CDATA[Horror and the Monstrous-Feminine: An Imaginary Abjection]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/27/1/44?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Barbara Creed<br />Jan  1, 1986; 27:44-71<br />Articles]]></description>
<dc:creator>Barbara Creed</dc:creator>
<dc:date>1986-01-01</dc:date>
<dc:title><![CDATA[Horror and the Monstrous-Feminine: An Imaginary Abjection]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/43/4/349?rss=1&amp;ssource=mfc">
<title><![CDATA[Irony, nihilism and the new American 'smart' film]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/43/4/349?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jeffrey Sconce<br />Dec  1, 2002; 43:349-369<br />Articles]]></description>
<dc:creator>Jeffrey Sconce</dc:creator>
<dc:date>2002-12-01</dc:date>
<dc:title><![CDATA[Irony, nihilism and the new American 'smart' film]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/4/529?rss=1&amp;ssource=mfc">
<title><![CDATA[Drawing trauma: visual testimony in Cache and J'ai 8 ans]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/4/529?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Guy Austin<br />Jan  1, 2007; 48:529-536<br />the Cache debate, continued]]></description>
<dc:creator>Guy Austin</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm057</dc:identifier>
<dc:title><![CDATA[Drawing trauma: visual testimony in Cache and J'ai 8 ans]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/45/1/63?rss=1&amp;ssource=mfc">
<title><![CDATA[Comedy verite: contemporary sitcom form]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/45/1/63?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Brett Mills<br />Mar  1, 2004; 45:63-78<br />Articles]]></description>
<dc:creator>Brett Mills</dc:creator>
<dc:date>2004-03-01</dc:date>
<dc:title><![CDATA[Comedy verite: contemporary sitcom form]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/24/6/18?rss=1&amp;ssource=mfc">
<title><![CDATA[The Other Question...]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/24/6/18?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Homi K Bhabha<br />Nov  1, 1983; 24:18-36<br />Articles]]></description>
<dc:creator>Homi K Bhabha</dc:creator>
<dc:date>1983-11-01</dc:date>
<dc:title><![CDATA[The Other Question...]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/49/2/157?rss=1&amp;ssource=mfc">
<title><![CDATA[Spectacle/gender/history: the case of Gone with the Wind]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/49/2/157?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Tom Brown<br />Jan  1, 2008; 49:157-178<br />Articles]]></description>
<dc:creator>Tom Brown</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:title><![CDATA[Spectacle/gender/history: the case of Gone with the Wind]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/2/211?rss=1&amp;ssource=mfc">
<title><![CDATA[Introduction]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/2/211?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Elizabeth Ezra, Jane Sillars<br />Jan  1, 2007; 48:211-213<br />The Cach&eacute; dossier]]></description>
<dc:creator>Elizabeth Ezra, Jane Sillars</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm016</dc:identifier>
<dc:title><![CDATA[Introduction]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/21/3/57?rss=1&amp;ssource=mfc">
<title><![CDATA[Artists, Mythologies and Media -- Genius, Madness and Art History]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/21/3/57?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Griselda Pollock<br />Dec  1, 1980; 21:57-96<br />Articles]]></description>
<dc:creator>Griselda Pollock</dc:creator>
<dc:date>1980-12-01</dc:date>
<dc:title><![CDATA[Artists, Mythologies and Media -- Genius, Madness and Art History]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/1/119?rss=1&amp;ssource=mfc">
<title><![CDATA[Inventing Television Culture: Men, Women and the Box * New Media and Popular Imagination: Launching Radio, Television and Digital Media in the United States]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/119?rss=1&amp;ssource=mfc</link>
<description><![CDATA[James Bennett<br />Jan  1, 2006; 47:119-124<br />Reviews]]></description>
<dc:creator>James Bennett</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl009</dc:identifier>
<dc:title><![CDATA[Inventing Television Culture: Men, Women and the Box * New Media and Popular Imagination: Launching Radio, Television and Digital Media in the United States]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/50/1/100?rss=1&amp;ssource=mfc">
<title><![CDATA[Freud as media theorist: mystic writing-pads and the matter of memory]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/50/1/100?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Thomas Elsaesser<br />Mar  1, 2009; 50:100-113<br />PART 3: AFTER CINEMA]]></description>
<dc:creator>Thomas Elsaesser</dc:creator>
<dc:date>2009-03-01</dc:date>
<dc:title><![CDATA[Freud as media theorist: mystic writing-pads and the matter of memory]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/1/81?rss=1&amp;ssource=mfc">
<title><![CDATA[Multiplex programming in the UK: the economics of homogeneity]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/81?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Deborah Allison<br />Jan  1, 2006; 47:81-90<br />Research note]]></description>
<dc:creator>Deborah Allison</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl005</dc:identifier>
<dc:title><![CDATA[Multiplex programming in the UK: the economics of homogeneity]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/3/291?rss=1&amp;ssource=mfc">
<title><![CDATA[Two modes of prestige film]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/3/291?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Chris Cagle<br />Jan  1, 2007; 48:291-311<br />Articles]]></description>
<dc:creator>Chris Cagle</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm031</dc:identifier>
<dc:title><![CDATA[Two modes of prestige film]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/43/4/403?rss=1&amp;ssource=mfc">
<title><![CDATA[Glamorous witchcraft: gender and magic in teen film and television]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/43/4/403?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Rachel Moseley<br />Dec  1, 2002; 43:403-422<br />Articles]]></description>
<dc:creator>Rachel Moseley</dc:creator>
<dc:date>2002-12-01</dc:date>
<dc:title><![CDATA[Glamorous witchcraft: gender and magic in teen film and television]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/2/223?rss=1&amp;ssource=mfc">
<title><![CDATA[After the end: word of mouth and Cache]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/2/223?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mark Cousins<br />Jan  1, 2007; 48:223-226<br />The Cach&eacute; dossier]]></description>
<dc:creator>Mark Cousins</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm018</dc:identifier>
<dc:title><![CDATA[After the end: word of mouth and Cache]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/2/215?rss=1&amp;ssource=mfc">
<title><![CDATA[Hidden in plain sight: bringing terror home]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/2/215?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Elizabeth Ezra, Jane Sillars<br />Jan  1, 2007; 48:215-221<br />The Cach&eacute; dossier]]></description>
<dc:creator>Elizabeth Ezra, Jane Sillars</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm017</dc:identifier>
<dc:title><![CDATA[Hidden in plain sight: bringing terror home]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/49/1/13?rss=1&amp;ssource=mfc">
<title><![CDATA['The viewers have ... taken over the airwaves'? Participation, reality TV and approaching the audience-in-the-text]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/49/1/13?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Su Holmes<br />Jan  1, 2008; 49:13-31<br />Articles]]></description>
<dc:creator>Su Holmes</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:title><![CDATA['The viewers have ... taken over the airwaves'? Participation, reality TV and approaching the audience-in-the-text]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/27/1/26?rss=1&amp;ssource=mfc">
<title><![CDATA[Monster Metaphors: Notes on Michael Jackson's 'Thriller']]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/27/1/26?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Kobena Mercer<br />Jan  1, 1986; 27:26-43<br />Articles]]></description>
<dc:creator>Kobena Mercer</dc:creator>
<dc:date>1986-01-01</dc:date>
<dc:title><![CDATA[Monster Metaphors: Notes on Michael Jackson's 'Thriller']]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/23/3-4/74?rss=1&amp;ssource=mfc">
<title><![CDATA[Film and the Masquerade: Theorising the Female Spectator]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/23/3-4/74?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mary Ann Doane<br />Sep  1, 1982; 23:74-88<br />Articles]]></description>
<dc:creator>Mary Ann Doane</dc:creator>
<dc:date>1982-09-01</dc:date>
<dc:title><![CDATA[Film and the Masquerade: Theorising the Female Spectator]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/36/4/371?rss=1&amp;ssource=mfc">
<title><![CDATA['Trashing' the academy: taste, excess, and an emerging politics of cinematic style]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/36/4/371?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jeffrey Sconce<br />Dec  1, 1995; 36:371-393<br />Articles]]></description>
<dc:creator>Jeffrey Sconce</dc:creator>
<dc:date>1995-12-01</dc:date>
<dc:title><![CDATA['Trashing' the academy: taste, excess, and an emerging politics of cinematic style]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/49/3/277?rss=1&amp;ssource=mfc">
<title><![CDATA[Music video, songs, sound: experience, technique and emotion in Eternal Sunshine of the Spotless Mind]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/49/3/277?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Carol Vernallis<br />Sep  1, 2008; 49:277-297<br />Articles]]></description>
<dc:creator>Carol Vernallis</dc:creator>
<dc:date>2008-09-01</dc:date>
<dc:title><![CDATA[Music video, songs, sound: experience, technique and emotion in Eternal Sunshine of the Spotless Mind]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/49/1/32?rss=1&amp;ssource=mfc">
<title><![CDATA[The television personality system: televisual stardom revisited after film theory]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/49/1/32?rss=1&amp;ssource=mfc</link>
<description><![CDATA[James Bennett<br />Jan  1, 2008; 49:32-50<br />Articles]]></description>
<dc:creator>James Bennett</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:title><![CDATA[The television personality system: televisual stardom revisited after film theory]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/1/129?rss=1&amp;ssource=mfc">
<title><![CDATA[Uncertain Vision: Birt, Dyke and the Reinvention of the BBC]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/129?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Julie Light<br />Jan  1, 2006; 47:129-132<br />Reviews]]></description>
<dc:creator>Julie Light</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl011</dc:identifier>
<dc:title><![CDATA[Uncertain Vision: Birt, Dyke and the Reinvention of the BBC]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/1/1?rss=1&amp;ssource=mfc">
<title><![CDATA['A fine and private place': the cinematic spaces of the London Underground]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Charlotte Brunsdon<br />Jan  1, 2006; 47:1-17<br />Articles]]></description>
<dc:creator>Charlotte Brunsdon</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl001</dc:identifier>
<dc:title><![CDATA['A fine and private place': the cinematic spaces of the London Underground]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/1/125?rss=1&amp;ssource=mfc">
<title><![CDATA[The Subject in Documentary]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/125?rss=1&amp;ssource=mfc</link>
<description><![CDATA[John Corner<br />Jan  1, 2006; 47:125-128<br />Reviews]]></description>
<dc:creator>John Corner</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl010</dc:identifier>
<dc:title><![CDATA[The Subject in Documentary]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/1/137?rss=1&amp;ssource=mfc">
<title><![CDATA[The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/1/137?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Alison Peirse<br />Jan  1, 2007; 48:137-140<br />Reviews]]></description>
<dc:creator>Alison Peirse</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm011</dc:identifier>
<dc:title><![CDATA[The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/15/2/7?rss=1&amp;ssource=mfc">
<title><![CDATA[Realism and the Cinema: Notes on some Brechtian theses]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/15/2/7?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Colin MacCabe<br />Jun  1, 1974; 15:7-27<br />Articles]]></description>
<dc:creator>Colin MacCabe</dc:creator>
<dc:date>1974-06-01</dc:date>
<dc:title><![CDATA[Realism and the Cinema: Notes on some Brechtian theses]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/50/1/35?rss=1&amp;ssource=mfc">
<title><![CDATA[The arts of looking: D.W. Winnicott and Michael Haneke]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/50/1/35?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Vicky Lebeau<br />Mar  1, 2009; 50:35-44<br />PART 1: SPECTATORSHIP AND LOOKING]]></description>
<dc:creator>Vicky Lebeau</dc:creator>
<dc:date>2009-03-01</dc:date>
<dc:title><![CDATA[The arts of looking: D.W. Winnicott and Michael Haneke]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/29/4/66?rss=1&amp;ssource=mfc">
<title><![CDATA[Black Spectatorship: Problems of Identification and Resistance]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/29/4/66?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Manthia Diawara<br />Dec  1, 1988; 29:66-79<br />Articles]]></description>
<dc:creator>Manthia Diawara</dc:creator>
<dc:date>1988-12-01</dc:date>
<dc:title><![CDATA[Black Spectatorship: Problems of Identification and Resistance]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/27/1/2?rss=1&amp;ssource=mfc">
<title><![CDATA[Horrality-- The Textuality of Contemporary Horror Films]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/27/1/2?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Philip Brophy<br />Jan  1, 1986; 27:2-13<br />Articles]]></description>
<dc:creator>Philip Brophy</dc:creator>
<dc:date>1986-01-01</dc:date>
<dc:title><![CDATA[Horrality-- The Textuality of Contemporary Horror Films]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/1/66?rss=1&amp;ssource=mfc">
<title><![CDATA[Walking into and out of the spectacle: China's earliest film scene]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/1/66?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Laikwan Pang<br />Jan  1, 2006; 47:66-80<br />Articles]]></description>
<dc:creator>Laikwan Pang</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl004</dc:identifier>
<dc:title><![CDATA[Walking into and out of the spectacle: China's earliest film scene]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/33/4/361?rss=1&amp;ssource=mfc">
<title><![CDATA[Disney animation and the business of childhood]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/33/4/361?rss=1&amp;ssource=mfc</link>
<description><![CDATA[David Forgacs<br />Dec  1, 1992; 33:361-374<br />Articles]]></description>
<dc:creator>David Forgacs</dc:creator>
<dc:date>1992-12-01</dc:date>
<dc:title><![CDATA[Disney animation and the business of childhood]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/3/273?rss=1&amp;ssource=mfc">
<title><![CDATA[Wonders of cinematic abstraction: J. C. Mol and the aesthetic experience of science film]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/3/273?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Malin Wahlberg<br />Jan  1, 2006; 47:273-289<br />Articles]]></description>
<dc:creator>Malin Wahlberg</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl022</dc:identifier>
<dc:title><![CDATA[Wonders of cinematic abstraction: J. C. Mol and the aesthetic experience of science film]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/50/1/114?rss=1&amp;ssource=mfc">
<title><![CDATA[The post-medium condition and the explosion of cinema]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/50/1/114?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Ji-hoon Kim<br />Mar  1, 2009; 50:114-123<br />PART 3: AFTER CINEMA]]></description>
<dc:creator>Ji-hoon Kim</dc:creator>
<dc:date>2009-03-01</dc:date>
<dc:title><![CDATA[The post-medium condition and the explosion of cinema]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/20/1/13?rss=1&amp;ssource=mfc">
<title><![CDATA[Authorship: What is an Author?]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/20/1/13?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Michel Foucault<br />Mar  1, 1979; 20:13-34<br />Other Departments]]></description>
<dc:creator>Michel Foucault</dc:creator>
<dc:date>1979-03-01</dc:date>
<dc:title><![CDATA[Authorship: What is an Author?]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/2/227?rss=1&amp;ssource=mfc">
<title><![CDATA[Blind spot]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/2/227?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Martine Beugnet<br />Jan  1, 2007; 48:227-231<br />The Cach&eacute; dossier]]></description>
<dc:creator>Martine Beugnet</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm019</dc:identifier>
<dc:title><![CDATA[Blind spot]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/47/4/407?rss=1&amp;ssource=mfc">
<title><![CDATA[The KTV aesthetic: popular music culture and contemporary Hong Kong cinema]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/47/4/407?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Brian Hu<br />Jan  1, 2006; 47:407-424<br />Articles]]></description>
<dc:creator>Brian Hu</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1093/screen/hjl032</dc:identifier>
<dc:title><![CDATA[The KTV aesthetic: popular music culture and contemporary Hong Kong cinema]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/50/1/180?rss=1&amp;ssource=mfc">
<title><![CDATA[On governmentality and screens]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/50/1/180?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lee Grieveson<br />Mar  1, 2009; 50:180-187<br />PART 4: SCREEN CULTURES]]></description>
<dc:creator>Lee Grieveson</dc:creator>
<dc:date>2009-03-01</dc:date>
<dc:title><![CDATA[On governmentality and screens]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/48/1/25?rss=1&amp;ssource=mfc">
<title><![CDATA[Total cinema: Chronique d'un ete and the end of Bazinian film theory]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/48/1/25?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Sam DiIorio<br />Jan  1, 2007; 48:25-43<br />Articles]]></description>
<dc:creator>Sam DiIorio</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1093/screen/hjm002</dc:identifier>
<dc:title><![CDATA[Total cinema: Chronique d'un ete and the end of Bazinian film theory]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/50/1/67?rss=1&amp;ssource=mfc">
<title><![CDATA[What are we expected to feel? Witness, textuality and the audiovisual]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/50/1/67?rss=1&amp;ssource=mfc</link>
<description><![CDATA[John Ellis<br />Mar  1, 2009; 50:67-76<br />PART 2: THE SCREEN EXPERIENCE]]></description>
<dc:creator>John Ellis</dc:creator>
<dc:date>2009-03-01</dc:date>
<dc:title><![CDATA[What are we expected to feel? Witness, textuality and the audiovisual]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/41/3/299?rss=1&amp;ssource=mfc">
<title><![CDATA[Makeover takeover on British television]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/41/3/299?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Rachel Moseley<br />Sep  1, 2000; 41:299-314<br />Articles]]></description>
<dc:creator>Rachel Moseley</dc:creator>
<dc:date>2000-09-01</dc:date>
<dc:title><![CDATA[Makeover takeover on British television]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

<item rdf:about="http://screen.oxfordjournals.org/cgi/content/short/42/2/188?rss=1&amp;ssource=mfc">
<title><![CDATA[Trauma and Screen Studies: opening the debate]]></title>
<link>http://screen.oxfordjournals.org/cgi/content/short/42/2/188?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Susannah Radstone<br />Jun  1, 2001; 42:188-193<br />Special Debate: Trauma and Screen Studies]]></description>
<dc:creator>Susannah Radstone</dc:creator>
<dc:date>2001-06-01</dc:date>
<dc:title><![CDATA[Trauma and Screen Studies: opening the debate]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
</item>

</rdf:RDF>